LEADER 01134nam a2200265 i 4500 001 991000083359707536 005 20020506121753.0 008 950406s1990 it ||| | ita 020 $a8875731640 035 $ab10650702-39ule_inst 035 $aEXGIL139148$9ExL 040 $aDip.to Filol. Ling. e Lett.$bita 100 1 $aD'Achille, Paolo$0154568 245 10$aSintassi del parlato e tradizione scritta della lingua italiana :$banalisi di testi dalle origini al secolo 13. /$cPaolo D'Achille 260 $aRoma :$bBonacci,$c[1990] 300 $a388 p. ;$c22 cm. 440 2$aI volgari d'Italia ;$v4 650 4$aItaliano : scritto e parlato 907 $a.b10650702$b21-09-06$c28-06-02 912 $a991000083359707536 945 $aLE008 FL.M. (f.r.) XXII D 15$g1$i2008000521523$lle008$o-$pE0.00$q-$rl$s- $t0$u5$v8$w5$x0$y.i1074017x$z28-06-02 945 $aLE021 DI1C23$g1$i2021000155963$lle021$o-$pE0.00$q-$rl$s- $t0$u1$v0$w1$x0$y.i1250886x$z05-05-03 996 $aSintassi del parlato e tradizione scritta della lingua italiana$988003 997 $aUNISALENTO 998 $ale008$ale021$b01-01-95$cm$da $e-$fita$git $h0$i1 LEADER 05322nam 2200649 a 450 001 9910789873803321 005 20230331011024.0 010 $a1-283-42457-6 010 $a9786613424570 010 $a90-272-7837-7 035 $a(CKB)2670000000139640 035 $a(EBL)829537 035 $a(OCoLC)769344130 035 $a(SSID)ssj0000827308 035 $a(PQKBManifestationID)11932166 035 $a(PQKBTitleCode)TC0000827308 035 $a(PQKBWorkID)10820664 035 $a(PQKB)10525671 035 $a(Au-PeEL)EBL829537 035 $a(CaPaEBR)ebr10524116 035 $a(MiAaPQ)EBC829537 035 $a(EXLCZ)992670000000139640 100 $a20120207d1989 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aParis school semiotics$hII$iPractice$b[electronic resource] /$fedited by Paul Perron & Frank Collins 210 $aAmsterdam $cJ. Benjamins Pub. Co.$d1989 215 $a1 online resource (241 p.) 225 1 $aSemiotic crossroads ;$vv. 3 300 $aDescription based upon print version of record. 311 $a1-55619-041-7 311 $a90-272-1943-5 320 $aIncludes bibliographical references. 327 $aPARIS SCHOOL SEMIOTICS II. PRACTICE; Title page; Editorial page; Copyright page; Table of contents; Introduction; NOTES; Basil Soup or the Construction of an Object of Value; I. THE CULINARY RECIPE; II. OBJECT AND VALUE; III. THE STRATEGIC ARRANGEMENT; III.1. The Vegetable Soup; III.2. The Basil Sauce (Pistou); III.3. The Programming; IV. SOME CONCLUSIONS; NOTE; Linguistic Meaning and Re-Interpretation. The Work, by Tom Pickard; INTRODUCTION; I. TEXTUAL STRUCTURES; 1. Preliminary Observations; 2. Groupings and Relationships; 3. Remarks; II. SEMIO-NARRATTVE STRUCTURES 327 $a1. Marks and Form of Narrativity2. The Predicative Analysis; 3. The Transformational Analysis; 4. Narrativization; III. DISCURSIVE STRUCTURES; 1. Actorialization; 2. Enunciation/Veridiction; 3. Figurativization; 4. Manipulation; IV. RE-INTERPRETATION AND EXEGESIS; 1. Primary meaning: and after?; 2. Referenciation; 1. (Re-)contextualization; 2. Conflicts of values; 3. Symbolicity; 1. The psychoanalytical hypothesis; 2. A metalinguistic reading; NOTES; The Function of Admiration in the Esthetic of the XVIIth Century. The ""Roman charity"" scene in Poussin's La Manne; I. METHOD - OBJECT OF STUDY 327 $aI.1. Uttered enunciation - a point of access to the estheticI.2. ""Roman charity""; I.3. Philological digression; II. ADMIRATION; II.1. ""Admiration"" according to Descartes and Malebranche; II.2. A passion sequence: curiosity - ""admiration"" - consideration; III. TOWARD A NARRATIVE ANALYSIS OF ENUNCIATION; III.1. ""Admiration"" in Enunciative Strategy; III.2. A Rhetoric of Manipulation; III.3. Human charity - divine charity; III.4. Man-hu: what is that?; III.5. The story given by the enunciative process: the marvel - the miracle - the mystery; III.6. Classical esthetics - Baroque esthetics 327 $aAPPENDIXEXTERNA; NOTES; REFERENCES; Sources; Studies; The Semiotics of the Plastic Arts and the Language of Advertising. Analysis of an Advertisement from the Campaign to Launch the ""News"" Brand Cigarette; I. INTRODUCTORY NOTE; II. ANALYSIS OF THE ADVERTISEMENTS SIGNIFIER; III. A STUDY OF THE SIGNIFIED OF THE ADVERTISEMENT; IV. THE PLASTIC DIMENSION AND THE SEMI-SYMBOLIC SYSTEM; V. THE OTHER ADVERTISEMENTS OF THE CAMPAIGN; VI. CONCLUSION; Public Opinion and its Spokesmen; I. A SEMIOTTC OBJECT; II. ADRAMATURGY; II.1. ""Public Opinion"" and ""Political Class""; II.2. The Public 327 $aII.3. The Sharing of CompetenciesIII. WHAT IS THE USE OF OPINION?; III.1. A Polyvalent Operator; III.2. The Problematics of the Narrator; III.3. Qualitative and Quantitative Points of View; IV. IDEOLOGICAL VARIATIONS; IV.1. Following Public Opinion; IV.2. Defying Opinion; IV.3. Deceiving Public Opinion; IV.4. Facing Opinion; V. A FUNCTIONAL SPECTACLE; V.1. The Authorized Enunciator; V.2. The Normalized Enunciatee; NOTES; On Demonstration. An Analysis of the Actantial Structure of Causing-to-Believe; I. INTRODUCTION; II. THE REALIZED PERFORMANCE; II.1. Global Segmentation 327 $aII.2. The Circulating Object 330 $aIt has often been claimed that the aim of semiotics is to establish a general theory of systems of signification. However, as Jean-Claude Coquet notes in a recent collection of essays, what distinguishes one school of semiotics from another is the initial definition given of sign. If, for certain semioticians, the sign is first of all an observable phenomenon, for the Paris School it is first of all a construct and this point of departure has crucial theoretical and practical consequences. The essays appearing in these two volumes are representative of recent work carried out by members of thi 410 0$aSemiotic crossroads ;$vv. 3. 606 $aSemiotics$zFrance 615 0$aSemiotics 676 $a001.51/0944 676 $a001.510944 701 $aPerron$b Paul$0737457 701 $aCollins$b Frank$0611845 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910789873803321 996 $aParis school semiotics$93700937 997 $aUNINA LEADER 03361nam 2200709Ia 450 001 9910953961303321 005 20200520144314.0 010 $a9781438429977 010 $a1438429975 010 $a9781441635440 010 $a1441635440 035 $a(CKB)2670000000016103 035 $a(OCoLC)560612707 035 $a(CaPaEBR)ebrary10574125 035 $a(SSID)ssj0000335479 035 $a(PQKBManifestationID)11248668 035 $a(PQKBTitleCode)TC0000335479 035 $a(PQKBWorkID)10272859 035 $a(PQKB)11749056 035 $a(MdBmJHUP)muse1660 035 $a(Au-PeEL)EBL3407263 035 $a(CaPaEBR)ebr10574125 035 $a(DE-B1597)684143 035 $a(DE-B1597)9781438429977 035 $a(MiAaPQ)EBC3407263 035 $a(Perlego)2673369 035 $a(EXLCZ)992670000000016103 100 $a20090430d2010 ub 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aBy the breath of their mouths $enarratives of resistance in Italian America /$fMary Jo Bona 205 $a1st ed. 210 $aAlbany $cState University of New York Press$dc2010 215 $a1 online resource (317 p.) 225 1 $aSUNY series in Italian/American culture 300 $aBibliographic Level Mode of Issuance: Monograph 311 08$a9781438429960 311 08$a1438429967 311 08$a9781438429953 311 08$a1438429959 320 $aIncludes bibliographical references and index. 327 $tFront Matter -- $tContents -- $tAcknowledgments -- $tIntroduction -- $tJustice/Giustizia -- $tFaith/Fede -- $tStory/Racconto -- $tLand/Terra -- $tHistory Singer/Cantastorie -- $tPrecursor/Precursore -- $tDeath/Morte -- $tRevival/Risorgimento -- $tNotes -- $tBibliography -- $tIndex 330 $aIn By the Breath of Their Mouths, Mary Jo Bona examines the oral uses of language and the liberating power of speech in Italian American writing, as well as its influences on generations of assimilated Italian American writers. 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