LEADER 02825nam  2200541 a 450 
001 9910789867703321
005 20230725030808.0
010   $a1-4529-4617-5
010   $a0-8166-7660-7
035   $a(CKB)2670000000078070
035   $a(EBL)678663
035   $a(OCoLC)712015735
035   $a(SSID)ssj0000471607
035   $a(PQKBManifestationID)11312129
035   $a(PQKBTitleCode)TC0000471607
035   $a(PQKBWorkID)10429304
035   $a(PQKB)11672193
035   $a(StDuBDS)EDZ0001177283
035   $a(MiAaPQ)EBC678663
035   $a(MdBmJHUP)muse29848
035   $a(Au-PeEL)EBL678663
035   $a(CaPaEBR)ebr10460997
035   $a(CaONFJC)MIL526057
035   $a(EXLCZ)992670000000078070
100   $a20100803d2011      uy             0
101 0 $aeng
135   $aur|||||||nn|n
181   $ctxt
182   $cc
183   $acr
200 10$aNeither god nor master$b[electronic resource] $eRobert Bresson and radical politics /$fBrian Price
210   $aMinneapolis [Minn.] $cUniversity of Minnesota Press$d2011
215   $a1 online resource (236 p.)
300   $aBased on the author's doctoral dissertation--New York University.
311   $a0-8166-5462-X 
311   $a0-8166-5461-1 
320   $aIncludes bibliographical references and index.
327   $aIntroduction -- Crime as a form of liberation : modeling revolt in Pickpocket and A man escaped -- Word and image, world and nothingness : logocentrism and ironic reversal in Proce?s de Jeanne d'Arc, Diary of a country priest, and Les anges du pe?che? -- Man and animal, master and servant : animals and criminality Mouchette and Au hasard Balthazar -- The aftermath of revolt : Une femme douce and The turn to color -- Disintegration : Lancelot du Lac, or, the failure of identification and totality -- The agony of ideas : The devil probably and revolutionary discourse -- The last gasp : L'argent and the end of socialism.
330   $aThe French auteur Robert Bresson, director of such classics as Diary of a Country Priest (1951), The Trial of Joan of Arc (1962), The Devil, Probably (1977), and L'Argent (1983), has long been thought of as a transcendental filmmaker preoccupied with questions of grace and predestination and little interested in the problems of the social world. This book is the first to view Bresson's work in an altogether different context. Rather than a religiousu?or spiritualu?filmmaker, Bresson is revealed as an artist steeped in radical, revolutionary politics. Situating Bresson in radical and aesthetic
676   $a791.4302/33092
700   $aPrice$b Brian$f1970-$0855392
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910789867703321
996   $aNeither god nor master$93692128
997   $aUNINA