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200 10$aFaulkner on the color line$b[electronic resource] $ethe later novels /$fTheresa M. Towner
210   $aJackson $cUniversity Press of Mississippi$dc2000
215   $a1 online resource (192 p.)
300   $aDescription based upon print version of record.
311   $a1-57806-249-7 
311   $a1-934110-35-3 
320   $aIncludes bibliographical references (p. 161-172) and index.
327   $aContents; Acknowledgments; Chapter 1: FLESH AND THE PENCIL: Racial Identity and the Search for Form; Chapter 2: ""HOW CAN A BLACK MAN ASK?"": Orality, Race, and Identity; Chapter 3: FINDING SOMEBODY TO TALK TO: Detection, Confession, and the Color Line; Chapter 4: SNOPES WATCHING AND RACIAL IDEOLOGY; Chapter 5: RACE AND THE NOBEL PRIZE WINNER; Notes; Works Cited; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Z
330   $aA study of William Faulkner's final phase as a period in which he faced up to America's rigid protocols of racial ideology. This study argues that Faulkner's writings about racial matters interrogated rather than validated his racial beliefs and that, in the process of questioning his own ideology, his fictional forms extended his reach as an artist. After winning the Nobel Prize in 1950, Faulkner wrote what critics term ""his later novels."" These have been almost uniformly dismissed, with the prevailing view being that as he became a more public figure, his fiction became a platform rather t
606   $aRace relations in literature
606   $aRace in literature
606   $aAfrican Americans in literature
606   $aLiterature and society$zSouthern States$xHistory$y20th century
606   $aLiterary form$xHistory$y20th century
615  0$aRace relations in literature.
615  0$aRace in literature.
615  0$aAfrican Americans in literature.
615  0$aLiterature and society$xHistory
615  0$aLiterary form$xHistory
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