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010   $a0-313-36493-1
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035   $a(OCoLC)712039595
035   $a(MiFhGG)GVRL4ERG
035   $a(OCoLC)458890012
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100   $a20100201e20102023  uy             0
101 0 $aeng
135   $aurun|---uuuua
181   $ctxt
182   $cc
183   $acr
200 00$aTelenovelas /$fedited by Ilan Stavans
210  1$aSanta Barbara, Calif. :$cGreenwood,$d2010.
210  2$aNew York :$cBloomsbury Publishing (US),$d2023.
215   $a1 online resource (viii, 144 pages) $cillustrations
225 1 $aIlan Stavans library of Latino civilization
300   $aDescription based on print version record.
311   $a0-313-36492-3 
320   $aIncludes bibliographical references and index.
327   $apt. 1. Panoramas -- pt. 2. Case studies.
330   $aDrama! Excess! Men in bee suits! Often erroneously compared to soap operas of the United States, outside of the necessary and sometimes fantastical dramatic story arc, however, the telenovela differs greatly from U.S. soap operas and have regional and cultural distinctions throughout Latin America. In Telenovelas, Ilan Stavans has gathered over two-dozen essays covering the telenovela for readers to better understand the phenomenon and its myriad layers.||Branching off from radionovelas, the telenovela was exported from pre-Castro Cuba during the 1950s. The essays found in Telenovelas covers a
410  0$aIlan Stavans library of Latino civilization.
606   $aTelevision soap operas$xSocial aspects$zLatin America
606   $aTelevision soap operas$zLatin America$xHistory and criticism
615  0$aTelevision soap operas$xSocial aspects
615  0$aTelevision soap operas$xHistory and criticism.
676   $a791.45/6
701   $aStavans$b Ilan$0553432
801  0$bMiFhGG
801  1$bMiFhGG
906   $aBOOK
912   $a9910789863603321
996   $aTelenovelas$93876012
997   $aUNINA