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100   $a20080423d2007      uy             0
101 0 $aeng
135   $aurcn|||||||||
181   $ctxt
182   $cc
183   $acr
200 14$aThe theatricality of Robert Lepage$b[electronic resource] /$fAleksandar Sas?a Dundjerovic?
210   $aMontre?al ;$aIthaca $cMcGill-Queen's University Press$dc2007
215   $a1 electronic text (xii, 252 p. : ill.) $cdigital file
300   $aRevision of the author's dissertation (Ph. D.)--University of London, 1999.
311   $a0-7735-3251-X 
311   $a0-7735-3223-4 
320   $aIncludes bibliographical references (p. [223]-244) and index.
327   $aPersonal and cultural contexts -- Lepage's style : transformative mise en sce?ne -- Solo performances : Lepage as actor-author -- Resources : The dragons' trilogy -- The space and the scores : Tectonic plates -- The performers : The seven streams of the River Ota -- The text : A midsummer night's dream -- Multimedia and new technology : Juliette at Zulu time.
330   $aThe Theatricality of Robert Lepage studies several productions, including The Dragons' Trilogy, Vinci and Tectonic Plates, The Seven Streams of River Ota, Zulu Time, and The Far Side of the Moon. Dundjerovic provides major new insights into Lepage's creative process through an examination of his workshops, open rehearsals, and performances, as well as interviews with Lepage and his collaborators. Outlining the key production elements of Lepage's theatricality, Dundjerovic provides a practitioner's view of how Lepage creates as a director, actor, and writer and explores Lepage's practice within both the local Québécois and the international theatre context.
517 3 $aRobert Lepage
606   $aTheater$zQue?bec (Province)$xHistory$y20th century
615  0$aTheater$xHistory
676   $a792.02/33092
700   $aDundjerovic?$b Aleksandar Sas?a$f1965-$01471993
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910789821403321
996   $aThe theatricality of Robert Lepage$93684571
997   $aUNINA