LEADER 02110nam 2200613 a 450 001 9910789805503321 005 20230126204728.0 010 $a1-283-87496-2 010 $a1-61168-008-5 035 $a(CKB)2670000000081297 035 $a(EBL)1084957 035 $a(OCoLC)715191562 035 $a(SSID)ssj0000541816 035 $a(PQKBManifestationID)11351453 035 $a(PQKBTitleCode)TC0000541816 035 $a(PQKBWorkID)10509519 035 $a(PQKB)11364869 035 $a(MiAaPQ)EBC1084957 035 $a(MdBmJHUP)muse17304 035 $a(Au-PeEL)EBL1084957 035 $a(CaPaEBR)ebr10456407 035 $a(CaONFJC)MIL418746 035 $a(EXLCZ)992670000000081297 100 $a20101025d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aTechnologies of history$b[electronic resource] $evisual media and the eccentricity of the past /$fSteve F. Anderson 210 $aHanover, N.H. $cDartmouth College Press$d2011 215 $a1 online resource (223 p.) 225 1 $aInterfaces, studies in visual culture 300 $aDescription based upon print version of record. 311 $a1-58465-901-7 320 $aIncludes bibliographical references and index. 327 $aIntroduction -- Fantastic history -- Cultural memory -- Found footage -- Home movies -- Materialist history -- Digital histories -- Conclusion. 330 $aCaptain Kirk fought Nazis. JFK's assassination is a videogame touchstone. And there's no history like ""Drunk History."" 410 0$aInterfaces, studies in visual culture. 606 $aMass media and history 606 $aMemory$xSocial aspects 606 $aVisual communication 615 0$aMass media and history. 615 0$aMemory$xSocial aspects. 615 0$aVisual communication. 676 $a900 700 $aAnderson$b Steve F$01097217 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910789805503321 996 $aTechnologies of history$93692389 997 $aUNINA