LEADER 02276nam  2200577 a 450 
001 9910789803603321
005 20230725030958.0
010   $a0-674-05929-8
024 7 $a10.4159/9780674059290
035   $a(CKB)2670000000081277
035   $a(OCoLC)733323316
035   $a(CaPaEBR)ebrary10456086
035   $a(SSID)ssj0000488267
035   $a(PQKBManifestationID)12223456
035   $a(PQKBTitleCode)TC0000488267
035   $a(PQKBWorkID)10450344
035   $a(PQKB)11415373
035   $a(MiAaPQ)EBC3300918
035   $a(Au-PeEL)EBL3300918
035   $a(CaPaEBR)ebr10456086
035   $a(DE-B1597)583427
035   $a(DE-B1597)9780674059290
035   $a(OCoLC)1301547427
035   $a(EXLCZ)992670000000081277
100   $a20100312d2010      uy             0
101 0 $aeng
135   $aurcn|||||||||
181   $ctxt
182   $cc
183   $acr
200 10$aWagner and the erotic impulse$b[electronic resource] /$fLaurence Dreyfus
210   $aCambridge, Mass. $cHarvard University Press$d2010
215   $a1 online resource (285 p.) 
300   $aBibliographic Level Mode of Issuance: Monograph
311   $a0-674-01881-8 
320   $aIncludes bibliographical references and index.
327   $tFrontmatter -- $tCONTENTS -- $tPreface -- $tAbbreviations -- $t1. Echoes -- $t2. Intentions -- $t3. Harmonies -- $t4. Pathologies -- $t5. Homoerotics -- $tEpilogue -- $tAppendix: Musical Examples -- $tNotes -- $tIndex
330   $aThough his image is tarnished today by unrepentant anti-Semitism, Richard Wagner (1813?1883) was better known in the nineteenth century for his provocative musical eroticism. In this illuminating study of the composer and his works, Laurence Dreyfus shows how Wagner?s obsession with sexuality prefigured the composition of operas such as Tannhäuser, Die Walküre, Tristan und Isolde, and Parsifal.
606   $aOpera$y19th century
606   $aSex in opera
615  0$aOpera
615  0$aSex in opera.
676   $a782.1092
700   $aDreyfus$b Laurence$f1952-$0791408
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910789803603321
996   $aWagner and the erotic impulse$93692371
997   $aUNINA