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Miller 210 $aBerkeley $cUniversity of CA Press$dc2012 215 $a1 online resource (382 p.) 225 1 $aCA studies in 20th-century music ;$v13 300 $a"Roth Family Foundation music in America imprint." 311 $a0-520-26891-1 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tIllustrations --$tAcknowledgments --$tAbbreviations --$t1. The Paris of the West: San Francisco at the Turn of the Century --$t2. The Politics of Class The San Francisco Symphony, the People's Philharmonic, and the Lure of European Culture (1911 - 1930) --$t3. The Politics of Race: Chinatown, Forbidden and Alluring --$tINTERLUDE 1: Two Musical Tributes to San Francisco's Chinatown --$t4. The Politics of Labor: The Union(s), the Clubs and Theaters, and the Predicament of Black Musicians --$t5. Musical Utopias: Ada Clement, Ernest Bloch, and the San Francisco Conservatory --$t6. Opera: The People's Music or a Diversion for the Rich? --$t7. The Despair of the Depression and the Clash of Race --$t8. Ultramodernism and Other Contemporary Offerings: Looking West, Challenging the East --$t9. The Politics of Work: Idealism Confronts Bureaucracy in the Federal Music Project --$tINTERLUDE 2. Highlights from San Francisco's Federal Music Project: Take Your Choice and Keeton's Concert Spirituals --$t10. Welcoming the World: San Francisco's Fairs of 1915 and 1939 - 1940 --$t11. Aftermath --$tNotes --$tReferences --$tIndex 330 $aThis lively history immerses the reader in San Francisco's musical life during the first half of the twentieth century, showing how a fractious community overcame virulent partisanship to establish cultural monuments such as the San Francisco Symphony (1911) and Opera (1923). Leta E. Miller draws on primary source material and first-hand knowledge of the music to argue that a utopian vision counterbalanced partisan interests and inspired cultural endeavors, including the San Francisco Conservatory, two world fairs, and America's first municipally owned opera house. Miller demonstrates that rampant racism, initially directed against Chinese laborers (and their music), reappeared during the 1930's in the guise of labor unrest as WPA music activities exploded in vicious battles between administrators and artists, and African American and white jazz musicians competed for jobs in nightclubs. 410 0$aCA studies in 20th-century music ;$v13. 606 $aMusic$xPolitical aspects$zCalifornia$zSan Francisco$xHistory$y20th century 606 $aMusic$xSocial aspects$zCalifornia$zSan Francisco$xHistory$y20th century 610 $a1930s california. 610 $a20th century america. 610 $a20th century music. 610 $aamerican music history. 610 $aasian americans. 610 $aasian music. 610 $acalifornia history. 610 $acalifornia politics. 610 $achinese immigration. 610 $achinese opera. 610 $aclassical music. 610 $agreat depression. 610 $ahistory of jazz. 610 $ahistory of opera. 610 $ahistory. 610 $alive arts. 610 $amusic and racism. 610 $amusic and segregation. 610 $amusic history and criticism. 610 $amusic. 610 $anight club jazz. 610 $aphilharmonic. 610 $arealistic. 610 $asan francisco symphony. 610 $asan franciscos fairs. 610 $aus history. 610 $awest coast history. 610 $awest coast music. 610 $awwii america. 610 $awwii music. 615 0$aMusic$xPolitical aspects$xHistory 615 0$aMusic$xSocial aspects$xHistory 676 $a780.9794/6109041 700 $aMiller$b Leta E$0898341 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910789765703321 996 $aMusic and politics in San Francisco$93824859 997 $aUNINA