LEADER 03403nam 2200625 a 450 001 9910789751403321 005 20231126150021.0 010 $a1-283-26531-1 010 $a9786613265319 010 $a90-04-22103-4 024 7 $a10.1163/9789004221031 035 $a(CKB)2670000000114316 035 $a(EBL)770740 035 $a(OCoLC)751697407 035 $a(SSID)ssj0000535334 035 $a(PQKBManifestationID)11332246 035 $a(PQKBTitleCode)TC0000535334 035 $a(PQKBWorkID)10522130 035 $a(PQKB)11380812 035 $a(MiAaPQ)EBC770740 035 $a(nllekb)BRILL9789004221031 035 $a(Au-PeEL)EBL770740 035 $a(CaPaEBR)ebr10497340 035 $a(CaONFJC)MIL326531 035 $a(PPN)174394608 035 $a(EXLCZ)992670000000114316 100 $a20110411d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aConfronting the borders of medieval art$b[electronic resource] /$f[edited by] Jill Caskey, Adam S. Cohen and Linda Safran 210 $aLeiden, The Netherlands ;$aBoston $cKoninklijke Brill$d2011 215 $a1 online resource (246 p.) 300 $aDescription based upon print version of record. 311 $a90-04-20749-X 320 $aIncludes bibliographical references. 327 $tPreliminary Material /$rJill Caskey , Adam S. Cohen and Linda Safran --$tArticles Jewish Art and Cultural Exchange: /$rKatrin Kogman-Appel --$tTowers, Birds and Divine Light:The Contested Territory of Nasrid and ?Mudéjar? Ornament /$rCynthia Robinson --$tStuccoes from the Early Norman Period in Sicily: /$rJill Caskey --$tKhid?r and the Changing Frontiers of the Medieval World /$rEthel Sara Wolper --$tLocating Armenia /$rChristina Maranci --$tThe Far Side: Expatriate Medieval Art and Its Languages in Sino-Mongol China /$rJennifer Purtle --$tWould There Have Been Gothic Art Without the Vikings? The Contribution of Scandinavian Medieval Art /$rNancy L. Wicker. 330 $aThis volume approaches the problem of the canonical ?center? by looking at art and architecture on the borders of the medieval world, from China to Armenia, Sweden, and Spain. Seven contributors engage three distinct yet related problems: margins, frontiers, and cross-cultural encounters. While not displaying a unified methodology or privileging specific theoretical constructs, the essays emphasize how strategies of representation articulated ownership and identity within contested arenas. What is contested is both medieval (the material evidence itself) and modern (the scholarly traditions in which the evidence has or has not been embedded). An introduction by the editors places the essays within historiographic and pedagogical frameworks. Contributors: J. Caskey, K. Kogman-Appel, C. Maranci, J. Purtle, C. Robinson, N. Wicker and E.S.Wolper. 606 $aArt, Medieval$xHistoriography 606 $aArt and history 615 0$aArt, Medieval$xHistoriography. 615 0$aArt and history. 676 $a709.02 701 $aCaskey$b Jill$f1964-$0765168 701 $aCohen$b Adam S$0608033 701 $aSafran$b Linda$0479982 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910789751403321 996 $aConfronting the borders of medieval art$93719366 997 $aUNINA