LEADER 01156nam0-2200349---450- 001 990008530810403321 005 20100505095617.0 010 $a88-7000-422-8 035 $a000853081 035 $aFED01000853081 035 $a(Aleph)000853081FED01 035 $a000853081 100 $a20070620d2004----km-y0itay50------ba 101 0 $aita$afre 102 $aIT 105 $ay-------101yy 200 1 $aAb nou cor et ab nou talen$enouvelles tendances de la recherche médiévale occitane$eactes du colloque AIEO, L'Aquila, 5-7 juillet 2001$fédités par Anna Ferrari et Stefania Romualdi 210 $aModena$cMucchi$d2004 215 $a355 p.$d24 cm 225 1 $aStudi, testi e manuali$iNuova serie$v8 225 1 $aSubsidia al Corpus des troubadours$iNuova serie$v5 610 0 $aLetteratura provenzale$aCongressi$aL'Aquila$a2001 676 $a849.09 702 1$aFerrari,$bAnna$f<1944- > 702 1$aRomualdi,$bStefania 801 0$aIT$bUNINA$c20070620$gRICA$2UNIMARC 901 $aBK 912 $a990008530810403321 952 $a849.09 FER 1$fFLFBC 959 $aFLFBC 996 $aAb nou cor et ab nou talen$9733619 997 $aUNINA LEADER 01193nam--2200397---450- 001 990003678680203316 005 20120717133811.0 010 $a978-88-387-7204-5 035 $a000367868 035 $aUSA01000367868 035 $a(ALEPH)000367868USA01 035 $a000367868 100 $a20120717d2012----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $a||||||||001yy 200 1 $a<>amministrazione locale$estatus economico e giuridico$fMonica Laudisio, Nicola Laudisio 210 $aSantarcangelo di Romagna$cMaggioli$d2012 215 $a271 p.$d24 cm 225 2 $aProgetto ente locale$v21 410 0$12001$aProgetto ente locale$v21 454 1$12001 461 1$1001-------$12001 606 0 $aEnti locali$xAmministratori 676 $a342.4509 700 1$aLAUDISIO,$bMonica$0573741 701 1$aLAUDISIO,$bNicola$0205988 801 0$aIT$bsalbc$gISBD 912 $a990003678680203316 951 $aXXIV.3.F. 291$b74540 G.$cXXIV.3.F.$d00312499 959 $aBK 969 $aGIU 979 $aPALERMO$b90$c20120717$lUSA01$h1335 979 $aPALERMO$b90$c20120717$lUSA01$h1338 996 $aAmministrazione locale$91140438 997 $aUNISA LEADER 04461nam 22010215 450 001 9910789634403321 005 20230725030816.0 010 $a1-283-27786-7 010 $a9786613277862 010 $a0-520-94875-0 024 7 $a10.1525/9780520948754 035 $a(CKB)2670000000077723 035 $a(EBL)675855 035 $a(OCoLC)710975199 035 $a(SSID)ssj0000469435 035 $a(PQKBManifestationID)11312395 035 $a(PQKBTitleCode)TC0000469435 035 $a(PQKBWorkID)10510488 035 $a(PQKB)11285938 035 $a(StDuBDS)EDZ0000084572 035 $a(DE-B1597)519619 035 $a(OCoLC)716238852 035 $a(DE-B1597)9780520948754 035 $a(MiAaPQ)EBC675855 035 $a(EXLCZ)992670000000077723 100 $a20200424h20112011 fg 0 101 0 $aeng 135 $aurn|#---|u||u 181 $ctxt 182 $cc 183 $acr 200 10$aFunky Nassau $eRoots, Routes, and Representation in Bahamian Popular Music /$fTimothy Rommen 210 1$aBerkeley, CA :$cUniversity of California Press,$d[2011] 210 4$d©2011 215 $a1 online resource (332 p.) 225 0 $aMusic of the African Diaspora ;$v15 300 $aDescription based upon print version of record. 311 0 $a0-520-26568-8 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tPreface --$tAcknowledgments --$tMap of the Bahamas --$t1. Nassau's Gone Funky: Sounding Some Themes in Bahamian Music --$t2. "Muddy da Water": Provincializing the Center, or Recentering the Periphery through Rake-n-Scrape --$t3. "Calypso Island": Exporting the Local, Particularizing the Region, and Developing the Sounds of Goombay --$t4. "Gone ta Bay": Institutionalizing Junkanoo, Festivalizing the Nation --$t5. "A New Day Dawning": Cosmopolitanism, Roots, and Identity in the Postcolony --$t6. "Back to the Island": Travels in Paradox-Creating the Future-Past --$tEpilogue --$tNotes --$tBibliography --$tIndex 330 $aThis book examines the role music has played in the formation of the political and national identity of the Bahamas. Timothy Rommen analyzes Bahamian musical life as it has been influenced and shaped by the islands' location between the United States and the rest of the Caribbean; tourism; and Bahamian colonial and postcolonial history. Focusing on popular music in the second half of the twentieth and early twenty-first centuries, in particular rake-n-scrape and Junkanoo, Rommen finds a Bahamian music that has remained culturally rooted in the local even as it has undergone major transformations. Highlighting the ways entertainers have represented themselves to Bahamians and to tourists, Funky Nassau illustrates the shifting terrain that musicians navigated during the rapid growth of tourism and in the aftermath of independence. 410 0$aMusic of the African Diaspora 606 $aPopular music - Bahamas - History and criticism 606 $aPopular music -- Bahamas -- History and criticism 606 $aPopular music$xHistory and criticism$zBahamas 610 $aafro bahamian. 610 $abaha men. 610 $abahamas. 610 $abahamian culture. 610 $abahamian musicians. 610 $abay street. 610 $abilby. 610 $ablind blake. 610 $acalypso. 610 $acaribbean. 610 $acarnival. 610 $acolonialism. 610 $acolony. 610 $aethnomusicology. 610 $aformer colony. 610 $afreedom. 610 $ahistory. 610 $aindependence. 610 $aislands. 610 $ajunkanoo. 610 $amusic. 610 $amusicians. 610 $anational identity. 610 $anonfiction. 610 $apopular music. 610 $apostcolonial. 610 $arake n scrape. 610 $arebellion. 610 $arepublic. 610 $arevolution. 610 $atourism. 610 $atropical. 615 4$aPopular music - Bahamas - History and criticism. 615 4$aPopular music -- Bahamas -- History and criticism. 615 0$aPopular music$xHistory and criticism 676 $a781.64097296 700 $aRommen$b Timothy$4aut$4http://id.loc.gov/vocabulary/relators/aut$01462843 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910789634403321 996 $aFunky Nassau$93671975 997 $aUNINA