LEADER 04457oam 2200649I 450 001 9910789545203321 005 20230725031430.0 010 $a1-136-71575-4 010 $a1-283-15090-5 010 $a9786613150905 010 $a1-136-71576-2 010 $a0-203-81553-X 024 7 $a10.4324/9780203815533 035 $a(CKB)2670000000093967 035 $a(EBL)692380 035 $a(OCoLC)731646686 035 $a(SSID)ssj0000524317 035 $a(PQKBManifestationID)11334904 035 $a(PQKBTitleCode)TC0000524317 035 $a(PQKBWorkID)10547116 035 $a(PQKB)10385041 035 $a(Au-PeEL)EBL692380 035 $a(CaPaEBR)ebr10477481 035 $a(CaONFJC)MIL315090 035 $a(OCoLC)733048775 035 $a(MiAaPQ)EBC692380 035 $a(EXLCZ)992670000000093967 100 $a20180706d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMusic, movies, meanings, and markets $ecinemajazzamatazz /$fMorris B. Holbrook 210 1$aNew York :$cRoutledge,$d2011. 215 $a1 online resource (395 p.) 225 1 $aRoutledge interpretive marketing research series ;$v14 300 $aDescription based upon print version of record. 311 $a1-138-20300-9 311 $a0-415-89313-5 320 $aIncludes bibliographical references. 327 $aIntroduction : ambi-diegetic music in motion pictures. The role of ambi-diegetic film music in the product design of Hollywood movies : macromarketing in La-La-land -- Ambi-diegetic jazz and the development of character. Ambi-diegetic film music as a product-design and -placement strategy : the Crosby duets in High society (1956) -- The cinemusical role of "My funny Valentine" in The fabulous Baker Boys (1989) and The talented Mr. Ripley (1999) -- The plot thickens : cinemusical meanings in the crime-plus-jazz genre. Pete Kelly's blues (1955) -- The Cotton Club (1984) -- Kansas City (1996) -- Jazz, films, and macromarketing themes : art versus commerce in the young man-with-a-horn genre. Young man with a horn (1949) -- Paris blues (1961) -- Mo' better blues (1990) -- Ambi-diegetic, nondiegetic, and diegetic cinemusical meanings in motion pictures : commerce, art, and Brando loyalty-- or-- De Niro, my God, to thee. Commerce and New York, New York (1977) : he's delightful, he's delicious, he's De Niro -- Art and Heart beat (1980) : stars fell on Algolagnia -- Brando loyalty and The score (2001) : how do you keep the music paying? -- God is in the details. His eye is on the sparrow : small-but-significant cinemusical moments in jazz film scores by Miles Davis and John Lewis -- Small-but-significant implications of the man who isn't there in Sweet smell of success (1957) -- Jazz biopics as tragedy and comedy : pivotal ambi-diegetic. Cinemusical moments in tragedepictions and comedepictions of jazz heroes -- When bad things happen to great musicians : the troubled role of ambi-diegetic jazz in three tragedepictions of artistic genius on the silver screen -- A cinemusicaliterary analysis of the American dream as represented by biographical jazz comedepictions in the golden age of Hollywood biopics : Blow, Horatio, blow; O, Jakie, O; Go, Tommy, go; No, Artie, no. 330 $aMusic, Movies, Meanings, and Markets focuses on macromarketing-related aspects of film music in general and on the cinemusical role of ambi-diegetic jazz in particular.? The book examines other work on music in motion pictures which has dealt primarily with the traditional distinction between nondiegetic film music (background music that comes from off-screen and is not audible to the film's characters, to further the dramatic development of plot, character, or other themes) and diegetic music (source music produced on-screen and/or that is audible to the film's characters, adding 410 0$aRoutledge interpretive marketing research series ;$v14. 606 $aMotion picture music$zUnited States$xHistory and criticism 606 $aJazz in motion pictures 615 0$aMotion picture music$xHistory and criticism. 615 0$aJazz in motion pictures. 676 $a781.5/420973 700 $aHolbrook$b Morris B.$0148224 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910789545203321 996 $aMusic, movies, meanings, and markets$93814262 997 $aUNINA