LEADER 03326oam 2200481 450 001 9910789484703321 005 20170523091620.0 010 $a988-220-699-9 010 $a988-8053-54-X 035 $a(OCoLC)814551549 035 $a(MiFhGG)GVRLA07V 035 $a(EXLCZ)993460000000021846 100 $a20121023d2010 uy 0 101 0 $aeng 135 $aurun|---uuuua 181 $ctxt 182 $cc 183 $acr 200 00$aHong Kong screenscapes /$fedited by Esther M.K. Cheung, Gina Marchetti, and Tan See-Kam 205 $a1st edition. 210 $aHong Kong $cHong Kong University Press$dc2011 210 1$aHong Kong :$cHong Kong University Press,$d2010. 215 $a1 online resource (296 pages) 225 0 $aGale eBooks 300 $aDescription based upon print version of record. 311 $a988-8028-56-1 320 $aIncludes bibliographical references (p. [263]-285) and index. 327 $aContents; List of Illustrations; Acknowledgements; Contributors; Hong Kong Screen scapes: An Introduction; Part I: Voices of the Hong Kong New Wave; 1. Do We Hear the City?: Voices of the Stranger in Hong Kong Cinema; 2. Surfing with the Surreal in Tsui Hark's Wave: Collage Practice, Diaspora Hybrid Texts, and Flexible Citizenship; 3. Ann Hui at the Margin of Mainstream Hong Kong Cinema; 4. Interview with Ann Hui: On the Edge of the Mainstream; 5. Urban Nomads, Exilic Reflections: The Cine-Modernism of Patrick Tam; Part II: Independent Connections 327 $a6. Performing the Margins: Locating Independent Cinema in Hong Kong 7. Re-imagining Hong Kong-China from the Sidelines: Fruit Chan's Little Cheung and Durian Durian; 8. Alternative Perspectives/Alternative Cinemas: Modern Films and the Hong Kong Experimental Scene; 9. Specters of Memory: An Artist Statement (Displaced); 10. Documenting Hong Kong: Interview with Tammy Cheung; 11. Between Times and Spaces: Interview with Evans Chan; 12. Hong Kong Cinema and the Film Essay: A Matter of Perception; Part III: Sex in the Asian City; 13. Between Comrade and Queer: Stanley Kwan's Hold You Tight 327 $a14. Interview with Yau Ching: Filming Women in Hong Kong's Queerscape 15. On Isaac Leung, Cyber Sex as Pseudo-Science: The Artist's Search for Sex Spaces in Hong Kong (and Beyond); 16. The Mistress and Female Sexuality; 17. Reimagining the Femme Fatale: Gender and Nation in Fruit Chan's Hollywood Hong Kong; Notes; Index 330 $aGlobal connections and screen innovations drive Hong Kong screen scapes that flow with transnational cultural production, circulation and consumption, highlighting innovations, interactions, disjunctures, differences, and ruptures therein. Focusing on the film clubs of the 1960's and 1970's, the successive new waves since the 1980's and the post-handover digital revolution, this book offers a timely and refreshing look at the shifts and changes in Hong Kong's multifaceted screen scapes. 606 $aMotion pictures$zChina$zHong Kong 615 0$aMotion pictures 676 $a791.43 702 $aCheung$b Esther M. K. 702 $aMarchetti$b Gina 702 $aSee Kam$b Tan$f1958- 801 0$bMiFhGG 801 1$bMiFhGG 906 $aBOOK 912 $a9910789484703321 996 $aHong Kong screenscapes$93871106 997 $aUNINA