LEADER 04961nam 22012011 450 001 9910789449003321 005 20211014030641.0 010 $a0-520-93126-2 010 $a1-306-07360-X 024 7 $a10.1525/9780520931268 035 $a(CKB)3710000000055097 035 $a(EBL)1513947 035 $a(SSID)ssj0001192938 035 $a(PQKBManifestationID)11673329 035 $a(PQKBTitleCode)TC0001192938 035 $a(PQKBWorkID)11126662 035 $a(PQKB)10850637 035 $a(SSID)ssj0000682049 035 $a(PQKBManifestationID)12313426 035 $a(PQKBTitleCode)TC0000682049 035 $a(PQKBWorkID)10678417 035 $a(PQKB)11236370 035 $a(DE-B1597)519051 035 $a(OCoLC)1110707736 035 $a(DE-B1597)9780520931268 035 $a(Au-PeEL)EBL1513947 035 $a(CaPaEBR)ebr10793607 035 $a(CaONFJC)MIL538611 035 $a(OCoLC)862374299 035 $a(MiAaPQ)EBC1513947 035 $a(PPN)183546288 035 $a(EXLCZ)993710000000055097 100 $a19851111h20052005 uy 0 101 0 $aeng 135 $aurnn#---|u||u 181 $ctxt 182 $cc 183 $acr 200 10$aWhat is cinema?$hVolume 2 /$fby Andre? Bazin ; foreword by Franc?ois Truffaut ; new foreword by Dudley Andrew ; essays selected and translated by Hugh Gray 210 1$aBerkeley :$cUniversity of California Press,$d[2005] 210 4$d©2005 215 $a1 online resource (314 p.) 300 $aDescription based upon print version of record. 311 0 $a0-520-02034-0 311 0 $a0-520-24228-9 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tFOREWORD --$tINTRODUCTION --$tAN AESTHETIC OF REALITY: NEOREALISM --$tLA TERRA TREMA --$tBICYCLE THIEF --$tDE SICA: METTEUR EN SCENE --$tUMBERTO D: A GREAT WORK --$tCABIRIA: THE VOYAGE TO THE END OF NEOREALISM --$tIN DEFENSE OF ROSSELLINI --$tTHE MYTH OF MONSIEUR VERDOUX --$tLIMELIGHT, OR THE DEATH OF MOLIERE --$tTHE GRANDEUR OF LIMELIGHT --$tTHE WESTERN: OR THE AMERICAN FILM PAR EXCELLENCE --$tTHE EVOLUTION OF THE WESTERN --$tENTOMOLOGY OF THE PIN-UP GIRL --$tTHE OUTLAW --$tMARGINAL NOTES ON EROTICISM IN THE CINEMA --$tSOURCES AND TRANSLATOR'S NOTES --$tINDEX 330 $aAndré Bazin's What Is Cinema? (volumes I and II) have been classics of film studies for as long as they've been available and are considered the gold standard in the field of film criticism. Although Bazin made no films, his name has been one of the most important in French cinema since World War II. He was co-founder of the influential Cahiers du Cinéma, which under his leadership became one of the world's most distinguished publications. Championing the films of Jean Renoir (who contributed a short foreword to Volume I), Orson Welles, and Roberto Rossellini, he became the protégé of François Truffaut, who honors him touchingly in his foreword to Volume II. This new edition includes graceful forewords to each volume by Bazin scholar and biographer Dudley Andrew, who reconsiders Bazin and his place in contemporary film study. The essays themselves are erudite but always accessible, intellectual, and stimulating. As Renoir puts it, the essays of Bazin "will survive even if the cinema does not." 606 $aMotion pictures 606 $aPerforming arts 610 $aauteur. 610 $abazin. 610 $acahiers du cinema. 610 $achaplin. 610 $acinema and screen. 610 $acinema. 610 $acitizen kane. 610 $acritical theory. 610 $acultural studies. 610 $adigital film. 610 $adirectors. 610 $aediting. 610 $aeroticism. 610 $afellini. 610 $afilm and animation. 610 $afilm cinematography. 610 $afilm criticism. 610 $afilm genre. 610 $afilm history. 610 $afilm literature. 610 $afilm movements. 610 $afilm studies. 610 $afilm technique. 610 $afilm theory. 610 $afilm. 610 $afilmmaking. 610 $afrench cinema. 610 $aimage culture. 610 $ajean renoir. 610 $aliterary studies. 610 $amass media. 610 $amedia. 610 $aneorealism. 610 $anonfiction. 610 $aorson welles. 610 $aroberto rossellini. 610 $asurrealism. 610 $atruffaut. 610 $avisual culture. 615 0$aMotion pictures. 615 0$aPerforming arts. 676 $a791.43 700 $aBazin$b Andre?$f1918-1958.$0382106 701 $aAndrew$b Dudley$f1945-$0532928 701 $aGray$b Hugh$f1900-1981.$01012984 701 $aTruffaut$b Franc?ois$0387602 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910789449003321 996 $aWhat is cinema$92353918 997 $aUNINA