LEADER 03702nam 2200733Ia 450 001 9910789413503321 005 20200520144314.0 010 $a979-88-908403-7-0 010 $a1-4696-0310-1 010 $a0-8078-7808-1 035 $a(CKB)2670000000095357 035 $a(EBL)716596 035 $a(OCoLC)731646883 035 $a(SSID)ssj0000520776 035 $a(PQKBManifestationID)11336096 035 $a(PQKBTitleCode)TC0000520776 035 $a(PQKBWorkID)10516848 035 $a(PQKB)11136853 035 $a(StDuBDS)EDZ0000244379 035 $a(OCoLC)731680439 035 $a(MdBmJHUP)muse23529 035 $a(Au-PeEL)EBL716596 035 $a(CaPaEBR)ebr10478394 035 $a(CaONFJC)MIL929988 035 $a(MiAaPQ)EBC716596 035 $a(EXLCZ)992670000000095357 100 $a20101118d2011 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe African American roots of modernism$b[electronic resource] $efrom Reconstruction to the Harlem Renaissance /$fJames Smethurst 210 $aChapel Hill $cUniversity of North Carolina Press$dc2011 215 $a1 online resource (265 p.) 225 1 $aThe John Hope Franklin series in African American history and culture 300 $aDescription based upon print version of record. 311 $a0-8078-7185-0 311 $a0-8078-3463-7 320 $aIncludes bibliographical references and index. 327 $aIntroduction: new forms and captive knights in the age of Jim Crow and mechanical reproduction -- Dueling banjos: African American dualism and strategies for Black representation at the turn of the century -- Remembering "those noble sons of ham": poetry, soldiers, and citizens at the end of reconstruction -- The Black city: the early Jim Crow migration narrative and the new territory of race -- Somebody else's civilization: African American writers, bohemia, and the new poetry -- A familiar and warm relationship: race, sexual freedom, and U.S. literary modernism. 330 $aThe period between 1880 and 1918, at the end of which Jim Crow was firmly established and the Great Migration of African Americans was well under way, was not the nadir for black culture, James Smethurst reveals, but instead a time of profound response from African American intellectuals. The African American Roots of Modernism explores how the Jim Crow system triggered significant artistic and intellectual responses from African American writers, deeply marking the beginnings of literary modernism and, ultimately, notions of American modernity.In identifying the Jim Crow period 410 0$aJohn Hope Franklin series in African American history and culture. 606 $aAfrican Americans$xIntellectual life$y19th century 606 $aAfrican Americans$xIntellectual life$y20th century 606 $aAfrican Americans$xSegregation 606 $aAmerican literature$xAfrican American authors$xHistory and criticism 606 $aModernism (Literature)$zUnited States 606 $aSegregation in literature 615 0$aAfrican Americans$xIntellectual life 615 0$aAfrican Americans$xIntellectual life 615 0$aAfrican Americans$xSegregation. 615 0$aAmerican literature$xAfrican American authors$xHistory and criticism. 615 0$aModernism (Literature) 615 0$aSegregation in literature. 676 $a810.9/896073 700 $aSmethurst$b James Edward$01562252 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910789413503321 996 $aThe African American roots of modernism$93851973 997 $aUNINA