LEADER 00861nam a2200241 i 4500 001 991003268189707536 005 20021205144309.0 008 020211s|||| it ||| | ita 035 $ab11780782-39ule_inst 035 $aPARLA223202$9ExL 040 $aDip.to Scienze Storiche Filosofiche e Geografiche$bita 100 1 $aPracchi, Roberto$033310 245 10$aLombardia /$cRoberto Pracchi 260 $aTorino :$bUtet,$c1971 300 $aXIII, 576 p., [9] c. di tav. :$bill. ;$c28 cm. 440 3$aLe regioni d'Italia ;$v2 650 4$aLombardia 907 $a.b11780782$b21-09-06$c09-12-02 912 $a991003268189707536 945 $aLE009 Enc.Geog.7/2bis$cV.2$g1$i2009000139817$lle009$o-$pE0.00$q-$rn$so $t0$u0$v0$w0$x0$y.i12027455$z09-12-02 996 $aLombardia$9313886 997 $aUNISALENTO 998 $ale009$b01-01-02$cm$da $e-$fita$git $h0$i1 LEADER 04364oam 2200649Ka 450 001 9910789412403321 005 20190503073357.0 010 $a0-262-29486-9 010 $a1-283-14809-9 010 $a9786613148094 010 $a0-262-29549-0 035 $a(CKB)2670000000095556 035 $a(OCoLC)733048527 035 $a(CaPaEBR)ebrary10479193 035 $a(SSID)ssj0000523749 035 $a(PQKBManifestationID)11333405 035 $a(PQKBTitleCode)TC0000523749 035 $a(PQKBWorkID)10542533 035 $a(PQKB)11118418 035 $a(MiAaPQ)EBC3339249 035 $a(OCoLC)733048527$z(OCoLC)741455115$z(OCoLC)769441574$z(OCoLC)816846868$z(OCoLC)958393377$z(OCoLC)961555298$z(OCoLC)962625046$z(OCoLC)966207922$z(OCoLC)975828248$z(OCoLC)978685744$z(OCoLC)978978265$z(OCoLC)979223742$z(OCoLC)988408270$z(OCoLC)992042660$z(OCoLC)1002339599$z(OCoLC)1007818634$z(OCoLC)1055384577$z(OCoLC)1058171901$z(OCoLC)1058983704$z(OCoLC)1062929971$z(OCoLC)1081253476$z(OCoLC)1096233886 035 $a(OCoLC-P)733048527 035 $a(MaCbMITP)8483 035 $a(Au-PeEL)EBL3339249 035 $a(CaPaEBR)ebr10479193 035 $a(CaONFJC)MIL314809 035 $a(EXLCZ)992670000000095556 100 $a20110627h20112011 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aLab coats in Hollywood $escience, scientists, and cinema /$fDavid A. Kirby 210 1$aCambridge, Mass. :$cMIT Press,$d[2011] 210 4$dİ2011 215 $a1 online resource (280 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-262-51870-8 311 $a0-262-01478-5 320 $aIncludes bibliographical references and index. 327 $aScientific expertise in Hollywood : the interactions between scientific and entertainment cultures -- Cinematic science : scientific representation, film realism, and virtual witnessing technologies -- Valuing expertise : the entertainment industry's and scientific community's motivations in the science consulting relationship -- Scientists on screen : being a scientist, looking like a lab -- Cinematic fact checking : negotiating scientific facts within filmmaking culture -- Best guesses : scientific uncertainty, flexibility, and scientists in the aisles -- Fantastically logical : fantastic science, speculative scenarios, and the expertise of logic -- Preventing future disasters : science consultants and the enhancement of cinematic disasters -- The future is now : diegetic prototypes and the role of cinematic narratives in generating real-world technological development -- Improving science, improving entertainment : the significance of scientists in Hollywood. 330 $aStanley Kubrick's "2001: A Space Odyssey", released in 1968, is perhaps the most scientifically accurate film ever produced. The film presented such a plausible, realistic vision of space flight that many moon hoax proponents believe that Kubrick staged the 1969 moon landing using the same studios and techniques. Kubrick's scientific verisimilitude in 2001 came courtesy of his science consultants--including two former NASA scientists--; and the more than sixty-five companies, research organizations, and government agencies that offered technical advice. Although most filmmakers don't consult experts as extensively as Kubrick, films ranging from "A Beautiful Mind" and "Contact" to "Finding Nemo and "The Hulk" have achieved some degree of scientific credibility because of science consultants. In Lab Coats in Hollywood, David Kirby examines the interaction of science and cinema: how science consultants make movie science plausible, how filmmakers negotiate scientific accuracy within production constraints, and how movies affect popular perceptions of science. 606 $aScience in motion pictures 606 $aScientists in motion pictures 610 $aSCIENCE, TECHNOLOGY & SOCIETY/General 610 $aSOCIAL SCIENCES/Media Studies 615 0$aScience in motion pictures. 615 0$aScientists in motion pictures. 676 $a791.43/66 700 $aKirby$b David A$g(David Allen),$f1968-$01575193 801 0$bOCoLC-P 801 1$bOCoLC-P 906 $aBOOK 912 $a9910789412403321 996 $aLab coats in Hollywood$93851962 997 $aUNINA