LEADER 03291nam 22005293u 450 001 9910789321103321 005 20230717234317.0 010 $a0-8232-4093-2 010 $a0-8232-4814-3 035 $a(CKB)3450000000003229 035 $a(EBL)3239662 035 $a(SSID)ssj0000477848 035 $a(PQKBManifestationID)11320061 035 $a(PQKBTitleCode)TC0000477848 035 $a(PQKBWorkID)10513060 035 $a(PQKB)11146893 035 $a(StDuBDS)EDZ0000035325 035 $a(MiAaPQ)EBC3239662 035 $a(EXLCZ)993450000000003229 100 $a20151005d2006|||| uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aHuman Security For All $eA Tribute to Sergio Vieira de Mello /$fHarry Berger 210 1$aNew York :$cFordham University Press,$d2007. 215 $a1 online resource (292 pages) 311 0 $a0-8232-2556-9 320 $aIncludes bibliographical references and index. 327 $a""Title Page ""; ""Table of Contents ""; ""Preface ""; ""Introduction: A Shot in the Dark ""; ""Part 1: Group Portraits and the Fictions of the Pose ""; ""Chapter 1: Toward the Interpretation of Performance Anxiety ""; ""Chapter 2: Portraiture and the Fictions of the Pose ""; ""Chapter 3: The Posographical Imperative: A Comparison of Genres ""; ""Chapter 4: Group Portraiture: Coming Together and Coming Apart ""; ""Chapter 5: Alois Riegl and the Posographical Imperative ""; ""Chapter 6: Performance Anxiety and the Belated Viewer ""; ""Part 2: Militias and Marriage "" 327 $a""Chapter 7: Male Bondage and the Military Imperative """"Chapter 8: Social Sources of Performance Anxiety ""; ""Part 3: Picturing Family Values ""; ""Chapter 9: The Preacher's Wife ""; ""Chapter 10: Women with Elbows ""; ""Chapter 11: Families Making Music ""; ""Part 4: 'The Night Watch' as Homosocial Pastoral ""; ""Chapter 12: The Night Watch: How the Sandbank Crumbles ""; ""Chapter 13: Evasive Action: Three Ways to Shore Up the Sandbank ""; ""Chapter 14: Captain Cocq and the Unruly Mustketeer ""; ""Chapter 15: Disaggregation as Class Conflict "" 327 $a""Chapter 16: Manual Mischief: The Loneliness of the Red Musketeer """"Chapter 17: Between Stad and Stadholder: Captain Cocq's Dilemma ""; ""Chapter 18: Posographical Misfires ""; ""Chapter 19: An Odd Couple: The Ghost of Anslo's Wife ""; ""Coda: Playing Soldier ""; ""Notes ""; ""Index "" 330 8 $aA study of the theory and practice of seventeenth-century Dutch group portraits, 'Manhood, Marriage, & Mischief' offers an account of the genre's comic and ironic features, which it treats as comments on the social context of portrait sitters who are husbands and householders as well as members of civic and proto-military organizations. 606 $aPortraits, Group$y17th century$zNetherlands 606 $aPortrait painting, Dutch 615 0$aPortraits, Group 615 0$aPortrait painting, Dutch 676 $a757.09492/09032 700 $aBerger$b Harry$cJr.,$f1924-2021.$01272722 801 0$bAU-PeEL 801 1$bAU-PeEL 801 2$bAU-PeEL 906 $aBOOK 912 $a9910789321103321 996 $aHuman Security For All$93752191 997 $aUNINA