LEADER 02155nam 2200529 a 450 001 9910789318303321 005 20230721034255.0 010 $a0-8232-4849-6 010 $a0-8232-4109-2 035 $a(CKB)3450000000003233 035 $a(StDuBDS)EDZ0000035341 035 $a(MiAaPQ)EBC3239706 035 $a(Au-PeEL)EBL3239706 035 $a(CaPaEBR)ebr10586764 035 $a(OCoLC)923763911 035 $a(EXLCZ)993450000000003233 100 $a20090306d2009 uy 0 101 0 $aeng 135 $aur||||||||||| 200 10$aSubversions of verisimilitude$b[electronic resource] $ereading narrative from Balzac to Sartre /$fLawrence R. Schehr 205 $a1st ed. 210 $aNew York $cFordham University Press$d2009 215 $a1 online resource (x, 241 p.) 311 $a0-8232-3135-6 320 $aIncludes bibliographical references and index. 330 8 $aThis title focuses on the way a number of French literary narratives written in the realist tradition show a dynamic balance between the desire of the author/narrator to present a verisimilar world and the need for aesthetic balance. While the works studied range from 1835 to 1938, they share a perspective on the relations between and the need to engage questions of realist verisimilitude and narrative interest and aesthetics. 606 $aFrench fiction$y19th century$xHistory and criticism 606 $aFrench fiction$y20th century$xHistory and criticism 606 $aRealism in literature 606 $aProbability in literature 606 $aNarration (Rhetoric) 606 $aDiscourse analysis, Narrative 615 0$aFrench fiction$xHistory and criticism. 615 0$aFrench fiction$xHistory and criticism. 615 0$aRealism in literature. 615 0$aProbability in literature. 615 0$aNarration (Rhetoric) 615 0$aDiscourse analysis, Narrative. 676 $a843/.70912 700 $aSchehr$b Lawrence R$01513313 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910789318303321 996 $aSubversions of verisimilitude$93747686 997 $aUNINA