LEADER 03595nam 2200577 450 001 9910789291503321 005 20200520144314.0 010 $a94-012-1025-X 035 $a(CKB)3710000000090320 035 $a(EBL)1727099 035 $a(SSID)ssj0001192965 035 $a(PQKBManifestationID)11642654 035 $a(PQKBTitleCode)TC0001192965 035 $a(PQKBWorkID)11135287 035 $a(PQKB)11752296 035 $a(MiAaPQ)EBC1727099 035 $a(Au-PeEL)EBL1727099 035 $a(CaPaEBR)ebr10840129 035 $a(CaONFJC)MIL577765 035 $a(OCoLC)882779036 035 $a(PPN)184437369 035 $a(EXLCZ)993710000000090320 100 $a20140307h20132013 uy 0 101 0 $amul 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aBeckett in the cultural field /$fedited by Ju?rgen Siess, Matthijs Engelberts, Angela Moorjani 210 1$aAmsterdam, New York :$cEditions Rodopi,$d2013. 210 4$dİ2013 215 $a1 online resource (271 p.) 225 0$aSamuel Beckett today/aujourd'hui ;$v25 300 $aDescription based upon print version of record. 311 $a90-420-3776-8 327 $aCover; Title Page; Copyright Page; TABLE OF CONTENTS / TABLE DES MATIE?RES; INTRODUCTION; PART I: CONFRONTING THE ARTS, INVESTIGATING RECEPTION / CONFRONTER LES ARTS, E?TUDIER LA RECEPTION; 1. NOTHING DOING: Reflections on Samuel Beckett and American Conceptual Art; 2.THE FIGURE IN THE LANDSCAPE IN JACK YEATS AND IN SAMUEL BECKETT; 3.POROSITIES: Aesthetic Correlations between Gertrude Stein and Samuel Beckett; 4.THE 'FREEDOM' OF SARTRE AND BECKETT: The Flies versus Eleutheria; 5.ZONES OF INDETERMINATION: Beckett, Bergson, and the Monad of Murphy's Mind 327 $aPART II: ENTERING THE FIELD / ENTRER DANS LE CHAMP6.BECKETTS MOLLOY IN THE FRENCH CONTEXT; 7.BECKETT AND THE BBC THIRD PROGRAMME; 8.RECONFIGURATION DU CHAMP DES E?TUDES BECKETTIENNES: Le re?gne du 'Beckett irlandais'; FREE SPACE; 9.""SPLITTING THE ROCKS"": Derek Mahon's Beckett; 10. BECKETT'S FILM: A Polycentric Parodic Pictorial Parable for Perennial Paradoxes; 11.MAPPING THE FUTURE: Endgame, Premediation, and the War on Terror; 12.NO WAY OUT: The Effect of Surveillance in The Lost Ones; 13.BECKETT'S HAPPY DAYS AND DANTE'S INFERNO, CANTO 10 327 $a14.BETWEEN BEYONDS: Play's Urns and Their Exhabitants15.LE CHAOS: COMMENT C'EST; 16.VOIX ET ILLIMITE? DANS L'INNOMMABLE; 17. ""I OPEN"": Narration in Samuel Beckett's Cascando; 18.BECKETT'S BOOTS: The Crux of Meaning; CONTRIBUTORS / AUTEURS 330 $aThe thematic part of this volume of Samuel Beckett Today/Aujourd'hui is devoted mainly to Beckett's texts of the forties and later, and particularly to those he composed after his adoption of the French language. The essays presented in this part of the current issue attempt to see Beckett as a writer among other authors with whom he connects or competes, to examine his relations with artists, whether Beckett stimulates them or is stimulated by them, and to define his 'posture' and his position in the cultural field. How does the budding francophone writer position himself in the cultural fiel 517 1 $aBeckett dans le champ culturel 676 $a848.91409 701 $aSiess$b Ju?rgen$01131697 701 $aEngelberts$b Matthijs$0282764 701 $aMoorjani$b Angela$0911514 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910789291503321 996 $aBeckett in the cultural field$93721081 997 $aUNINA LEADER 01043cam0-22003011i-450 001 990005832480403321 005 20240123093656.0 035 $a000583248 100 $a19990604d1996----km-y0itay50------ba 101 0 $aeng 105 $ay-------001yy 200 1 $aAdult language acquisition$ecross-linguistic perspectives$fedited by Clive Perdue 210 $aCambridge$cCambridge University Press$d1996 215 $a2 v.$d24 cm 327 1 $a1.: Fields methods / edited by Clive Perdue$a2.: The results / edited by Clive Perdue 610 0 $aLingue straniere$aApprendimento 676 $a401.93 702 1$aPerdue,$bClive 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990005832480403321 952 $a401.93 PERD 01 (1)$bDip.fil.mod.6435$fFLFBC 952 $a401.93 PERD 01 (2)$bDip.fil.mod.6436$fFLFBC 952 $a401.93 PERD 01 (1 BIS)$bDip.fil.mod.7671$fFLFBC 952 $a401.93 PERD 01 (2 BIS)$bDip.fil.mod.6947$fFLFBC 959 $aFLFBC 996 $aAdult language acquisition$9566906 997 $aUNINA