LEADER 01427nam--2200409---450- 001 990006131250203316 005 20160303114351.0 010 $a978-88-7890-781-2 035 $a000613125 035 $aUSA01000613125 035 $a(ALEPH)000613125USA01 035 $a000613125 100 $a20160303d2006----km-y0itay50------ba 101 $aita 102 $aIT 105 $aa---||||001yy 200 1 $aCome Costantin chiese Silvestro d'entro Siratti$eCostantino il grande, San Silvestro e la nascita delle prime grandi basiliche cristiane$fAlberto Carpiceci, Marco Carpiceci$gpresentazione di Fabio Mariano 210 $aRoma$cEdizioni Kappa$dcopyr. 2006 215 $a103 p.$cill.$d25x21 cm 225 2 $aStoria e Rappresentazione 410 0$12001$aStoria e Rappresentazione 606 0 $aBasiliche cristiane$2BNCF 606 1$aCostantino,$bFlavio Valerio $xPolitica religiosa 676 $a723.1 700 1$aCARPICECI,$bAlberto$035800 701 1$aCARPICECI,$bMarco$024220 702 1$aMARIANO,$bFabio 801 0$aIT$bsalbc$gISBD 912 $a990006131250203316 951 $a723.1 CAR$b1509 Crd.$c723$d00331199 959 $aBK 969 $aCRD 979 $aPAOLA$b90$c20160303$lUSA01$h1139 979 $aPAOLA$b90$c20160303$lUSA01$h1142 979 $aPAOLA$b90$c20160303$lUSA01$h1143 996 $aCome Costantin chiese Silvestro d'entro Siratti$91385372 997 $aUNISA LEADER 04316nam 2200613 450 001 9910789289103321 005 20200520144314.0 010 $a94-012-1037-3 024 7 $a10.1163/9789401210379 035 $a(CKB)3710000000090316 035 $a(EBL)1686918 035 $a(SSID)ssj0001171725 035 $a(PQKBManifestationID)11660262 035 $a(PQKBTitleCode)TC0001171725 035 $a(PQKBWorkID)11183841 035 $a(PQKB)10430784 035 $a(MiAaPQ)EBC1686918 035 $a(OCoLC)870893538 035 $a(nllekb)BRILL9789401210379 035 $a(Au-PeEL)EBL1686918 035 $a(CaPaEBR)ebr10839049 035 $a(CaONFJC)MIL576740 035 $a(PPN)234267526 035 $a(EXLCZ)993710000000090316 100 $a20140305h20142014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aDecentring the avant-garde /$fedited by Per Ba?ckstro?m and Benedikt Hjartarson ; Aart Jan Bergshoeff, cover design 210 1$aAmsterdam, Netherlands :$cRodopi,$d2014. 210 4$d©2014 215 $a1 online resource (328 p.) 225 0$aAvant garde critical studies ;$v30 300 $aIncludes index. 311 $a90-420-3788-1 320 $aIncludes bibliographical references and index. 327 $tPreliminary material /$rEditors DECENTRING THE AVANT-GARDE -- $tRethinking the Topography of the International Avant-Garde: Introduction /$rPer Bäckström and Benedikt Hjartarson -- $tModern Global Art and Its Discontents /$rPartha Mitter -- $tRomantic Peripheries: The Dynamics of Enlightenment and Romanticism in East-Central Europe /$rÉva Forgács -- $tPeculiarities in the Use of the Concepts Centre and Periphery in Avant-Garde Strategies /$rDaina Teters -- $tPostcolonial Avant-Gardes and the World System of Modernity/Coloniality /$rLaura Winkiel -- $tAvant-Garde Art in Post-Communist Central Europe /$rPiotr Piotrowski -- $tMushrooms, Ant Paths and Tactics: The Topography of the European Film Avant-Garde /$rMalte Hagener -- $tClaiming Dada for the French /$rThomas Hunkeler -- $tMigration of Images: Private Collections of Modernism and Avant-Garde and the Search for Cubism in Eastern Europe /$rVojt?ch Lahoda -- $tWorlds Apart?: The Japan-Europe Historical Avant-Garde Relationship /$rThomas Hackner -- $t?An Eccentric Homespun Avant-Gardist?: Hugh MacDiarmid, ?Northern? Radicalism, and the Scottish Renaissance Movement /$rLisa Otty -- $tSami Artist Group 1978?1983: Otherness or Avant-Garde? /$rHanna Horsberg Hansen -- $tAnationalism and the Search for a Universal Language: Esperantism and the European Avant-Garde /$rBenedikt Hjartarson -- $tRevising the Aporias of the Avant-Garde /$rKonstantin Dudakov-Kashuro -- $tContributors /$rEditors DECENTRING THE AVANT-GARDE -- $tIndex /$rEditors DECENTRING THE AVANT-GARDE. 330 $aDecentring the Avant-Garde presents a collection of articles dealing with the topography of the avant-garde. The focus is on different responses to avant-garde aesthetics in regions traditionally depicted as cultural, geographical and linguistic peripheries. Avant-garde activities in the periphery have to date mostly been described in terms of a passive reception of new artistic trends and currents originating in cultural centres such as Paris or Berlin. Contesting this traditional view, Decentring the Avant-Garde highlights the importance of analysing the avant-garde in the periphery in terms of an active appropriation of avant-garde aesthetics within different cultural, ideological and historical settings. A broad collection of case studies discusses the activities of movements and artists in various regions in Europe and beyond. The result is a new topographical model of the international avant-garde and its cultural practices. 410 0$aAvant-Garde Critical Studies$v30. 606 $aAvant-garde (Aesthetics) 615 0$aAvant-garde (Aesthetics) 676 $a111.85 701 $aBa?ckstro?m$b Per$01496412 701 $aHjartarson$b Benedikt$01496413 701 $aBergshoeff$b Aart Jan$01493234 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910789289103321 996 $aDecentring the avant-garde$93721059 997 $aUNINA