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100   $a20140401h20132013  uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 00$aArt and destruction /$fedited by Jennifer Walden
210  1$aNewcastle upon Tyne, [England] :$cCambridge Scholars Publishing,$d2013.
210  4$dİ2013
215   $a1 online resource (152 p.)
300   $aIncludes index.
311   $a1-4438-4900-6 
327   $aTABLE OF CONTENTS; ACKNOWLEDGEMENTS; INTRODUCTION; CHAPTERONE; CHAPTER TWO; CHAPTER THREE; CHAPTER FOUR; CHAPTER FIVE; CHAPTER SIX; CHAPTER SEVEN; CHAPTER EIGHT; CONTRIBUTORS; INDEX OF NAMES
330   $aMost talk of and writing on art is about its relationship to creation and creativity. This of course takes various forms, but ultimately the creative act in the making of art works is a key issue. What happens when we put together art and destruction? This has been referenced in some major areas, such as that of art and iconoclasm and auto-destructive art movements. Less evident are accounts of more intimate, smaller scale 'destructive' interventions into the world of the made or exhibited ar...
606   $aIconoclasm
606   $aArt and society
606   $aArt$xPolitical aspects
606   $aArt and religion
615  0$aIconoclasm.
615  0$aArt and society.
615  0$aArt$xPolitical aspects.
615  0$aArt and religion.
676   $a246.5309021
702   $aWalden$b Jennifer
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910789283103321
996   $aArt and destruction$93795716
997   $aUNINA