LEADER 02466nam 2200553 450 001 9910789170203321 005 20200520144314.0 010 $a0-8108-8854-8 035 $a(CKB)3710000000077040 035 $a(EBL)1579870 035 $a(SSID)ssj0001083473 035 $a(PQKBManifestationID)12408781 035 $a(PQKBTitleCode)TC0001083473 035 $a(PQKBWorkID)11021276 035 $a(PQKB)10502990 035 $a(MiAaPQ)EBC1579870 035 $a(Au-PeEL)EBL1579870 035 $a(CaPaEBR)ebr10818902 035 $a(CaONFJC)MIL551561 035 $a(OCoLC)865508319 035 $a(EXLCZ)993710000000077040 100 $a20130603h20142014 uy| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aOpera at the bandstand $ethen and now /$fGeorge W. Martin 210 1$aLanham, MD :$cScarecrow Press,$d[2014] 210 4$dİ2014 215 $a1 online resource (291 p.) 300 $aDescription based upon print version of record. 311 $a0-8108-8853-X 320 $aIncludes bibliographical references and index. 327 $aThe Dodworth bands and Jullien's example -- Patrick S. Gilmore, his jubilees, and the Anvil chorus -- Mr. Gilmore and his 22nd Regiment Band -- John Philip Sousa, the Marine Band, and Sousa's band -- John Philip Sousa : summers in Coney Island and winters in Rochester, New York -- John Philip Sousa : Willow Grove Park, Pennsylvania -- The rise of dance bands : Herbert L. Clarke and the Long Beach Municipal Band -- The U.S. Marine Band and contemporary civilian bands -- Edward Franko Goldman and the Goldman Band -- The decline of the Goldman Band, Frederick Fennell, and the rise of the wind ensemble. 330 $aIn Opera at the Bandstand: Then and Now, George W. Martin surveys the role of concert bands during the nineteenth and early twentieth centuries in making contemporary opera popular. He also chronicles how in part they lost their audience in the second half of the twentieth century by abandoning operatic repertory. 606 $aBands (Music)$zUnited States$xHistory 606 $aOpera 615 0$aBands (Music)$xHistory. 615 0$aOpera. 676 $a784.8/4 700 $aMartin$b George Whitney$01505183 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910789170203321 996 $aOpera at the bandstand$93734649 997 $aUNINA