LEADER 04639oam 2200841I 450 001 9910789121703321 005 20230808211512.0 010 $a1-315-23859-4 010 $a1-4094-5532-7 024 7 $a10.4324/9781315238593 035 $a(CKB)3710000000087009 035 $a(EBL)1589661 035 $a(SSID)ssj0001108438 035 $a(PQKBManifestationID)11623172 035 $a(PQKBTitleCode)TC0001108438 035 $a(PQKBWorkID)11104058 035 $a(PQKB)11145201 035 $a(MiAaPQ)EBC1589661 035 $a(MiAaPQ)EBC5293085 035 $a(OCoLC)966310707 035 $a(Au-PeEL)EBL5293085 035 $a(CaONFJC)MIL975663 035 $a(OCoLC)1027166352 035 $a(EXLCZ)993710000000087009 100 $a20180706e20162014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 04$aThe lively arts of the London stage, 1675-1725 /$fedited by Kathryn Lowerre 210 1$aLondon ;$aNew York :$cRoutledge,$d2016. 215 $a1 online resource (325 p.) 225 1 $aPerformance in the Long Eighteenth Century: Studies in Theatre, Music, Dance 300 $aFirst published 2014 by Ashgate Publishing. 311 $a1-306-47120-6 311 $a1-4094-5533-5 327 $aCover; Contents; List of Figures; List of Music Examples; List of Tables; Notes on Contributors; Acknowledgments; Introduction; Part IFirst, Music: Settings of Congreve's Judgment of Paris; 1 The Singers of The Judgment of Paris; 2 Harmonia Anglicana or Why Finger Failed in 'The Prize Musick'; 3The 'Prize Musick' of 1701: A Reinvestigation of the Staging Issue; Part II Mainpiece: The Lively Arts of the London Stage; 4 Composing after the Italian Manner: The English Cantata 1700-1710; 5 Johann Pepusch, Aesthetics, and the Sister Arts 327 $a6From Scaramouche to Harlequin: Dances 'in grotesque characters' on the London Stage7 Music, Magic, and Morality: Stage Reform and the Pastoral Mode; 8Madness 'Free from Vice': Musical Eroticism in the Pastoral World of The Fickle Shepherdess; 9 'Let all be husht': Songs in Praise of Anne Bracegirdle and Arabella Hunt; 10Burning and Stoic Men: Mad Rants and the Performance of Passionate Pain in the Plays of Nathaniel Lee, 1674 to 1678; 11Appreciating Bononcini's Astianatte (1727): An Italian Opera for the London Stage; Part IIIAfterpiece: Comedy, Farce, and Competition; 12 The Right to Write 327 $aor, Colley Cibber and The Drury-Lane Monster13 'Quotation is the sincerest form of ...'?: Signature Songs as Inter-Theatrical References; Bibliography; Index 330 $aReflecting the myriad options available to London audiences at the turn of the eighteenth century, this volume offers readers a portrait of the interrelated music, drama and dance productions that characterized this rich period. By bringing together work by scholars in different fields, this cross-disciplinary collection illuminates the interconnecting strands that shaped a vibrant theatrical world. 410 0$aPerformance in the Long Eighteenth Century: Studies in Theatre, Music, Dance 606 $aMusical theater -- England -- London -- History -- 17th century 606 $aMusical theater -- England -- London -- History -- 18th century 606 $aTheater -- England -- London -- History -- 17th century 606 $aTheater -- England -- London -- History -- 18th century 606 $aTheater$xHistory$y17th century$zLondon$zEngland 606 $aTheater$xHistory$y18th century$zLondon$zEngland 606 $aMusical theater$xHistory$y17th century$zEngland$zLondon 606 $aMusical theater$xHistory$y18th century$zLondon$zEngland 606 $aMusic, Dance, Drama & Film$2HILCC 606 $aDrama$2HILCC 615 4$aMusical theater -- England -- London -- History -- 17th century. 615 4$aMusical theater -- England -- London -- History -- 18th century. 615 4$aTheater -- England -- London -- History -- 17th century. 615 4$aTheater -- England -- London -- History -- 18th century. 615 0$aTheater$xHistory 615 0$aTheater$xHistory 615 0$aMusical theater$xHistory 615 0$aMusical theater$xHistory 615 7$aMusic, Dance, Drama & Film 615 7$aDrama 676 $a791.0942109032 676 $a792.09421 676 $a792/.09421 701 $aLowerre$b Kathryn$01551248 801 0$bAU-PeEL 801 1$bAU-PeEL 801 2$bAU-PeEL 906 $aBOOK 912 $a9910789121703321 996 $aThe lively arts of the London stage, 1675-1725$93810663 997 $aUNINA