LEADER 03815nam 22006611 450 001 9910789075303321 005 20230803033737.0 010 $a3-11-031523-8 024 7 $a10.1515/9783110315233 035 $a(CKB)3390000000036841 035 $a(EBL)1249791 035 $a(SSID)ssj0001002210 035 $a(PQKBManifestationID)11554123 035 $a(PQKBTitleCode)TC0001002210 035 $a(PQKBWorkID)10995920 035 $a(PQKB)11394124 035 $a(MiAaPQ)EBC1249791 035 $a(DE-B1597)209185 035 $a(OCoLC)864395235 035 $a(DE-B1597)9783110315233 035 $a(Au-PeEL)EBL1249791 035 $a(CaPaEBR)ebr10785930 035 $a(CaONFJC)MIL806452 035 $a(OCoLC)858761954 035 $a(EXLCZ)993390000000036841 100 $a20130813d2013 uy 0 101 0 $aeng 135 $aurnn#---|u||u 181 $ctxt 182 $cc 183 $acr 200 10$aNietzsche, Wagner, Europe /$fMartine Prange 210 1$aBerlin ;$aBoston :$cDe Gruyter,$d[2013] 210 4$dİ2013 215 $a1 online resource (296 p.) 225 1 $aMonographien und Texte zur Nietzsche-Forschung ;$vBand 61 300 $aDescription based upon print version of record. 311 0 $a3-11-048163-4 311 0 $a3-11-031509-2 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tAbbreviations and translations --$tContents --$tGeneral introduction --$tChapter 1 Was Nietzsche ever a true Wagnerian? --$tChapter 2 Germanizing music and culture: Richard Wagner?s ?Beethoven? essay --$tChapter 3 Nietzsche?s reception of Wagner?s ?Beethoven? essay in the spirit of Weimar Classicism --$tChapter 4 The Birth of Tragedy out of Nietzsche?s concern for Wagner?s ?Graecization? --$tChapter 5 Nietzsche?s anti-Wagnerism in the light of his increasing cosmopolitanism --$tChapter 6 ?La Gaya Scienza? in music: Nietzsche?s new musical aesthetics --$tChapter 7 Goethe as model of the ?Good European? --$tEpilogue --$tBibliography --$tIndex 330 $aFriedrich Nietzsche (1844-1900) supported the unification of Europe and reflected on this like few other philosophers before or after him. Many of his works are concerned with the present state and future of European culture and humanity. Resisting the ?nationalist nonsense? and ?politics of dissolution? of his day, he advocated the birth of ?good Europeans,? i.e. ?supra-national? individuals and the ?amalgamation of nations.?Nietzsche, Wagner, Europe analyzes the development of Friedrich Nietzsche?s ideal of European culture based on his musical aesthetics. It does so against the background of contemporary searches for a wider, cultural meaning beyond Europe?s economic-political union. The book claims that Nietzsche always propagated the ?aestheticization? of Europe, but that his view on how to achieve this changed as a result of his dramatically altering philosophy of music. The main focus is on Nietzsche?s passion for and later aversion to Wagner?s music, and, in direct connection with this, his surprising embrace of Italian operas as new forms of ?Dionysian? music and of Goethe as a model of ?Good Europeanism.? 410 0$aMonographien und Texte zur Nietzsche-Forschung ;$vBd. 61. 606 $aMusic$xPhilosophy and aesthetics 610 $a19th century. 610 $aGoethe, Johann Wolfgang von. 610 $aWagner, Richard. 610 $aopera. 615 0$aMusic$xPhilosophy and aesthetics. 676 $a193 700 $aPrange$b Martine$f1969-$01558577 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910789075303321 996 $aNietzsche, Wagner, Europe$93823102 997 $aUNINA