LEADER 00941nam0-22003371i-450- 001 990008114240403321 005 20050518093956.0 010 $a88-18-23041-7 020 $aIT$b95-5422 035 $a000811424 035 $aFED01000811424 035 $a(Aleph)000811424FED01 035 $a000811424 100 $a20050518d1994----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $ay---n----00yy 200 1 $aAnnibale$ecome un'autobiografia$fGiovanni Brizzi$gprefazione di Sabatino Moscati 210 $aMilano$cRusconi$d1994 215 $a338 p.$d22 cm 225 1 $a<>vite 676 $a939.73092$v20$zita 700 1$aBrizzi,$bGiovanni$f<1946- >$0152797 702 1$aMoscati,$bSabatino$f<1922-1997> 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990008114240403321 952 $aDDR-XX Ca 051.5$b2647 ddr$fDDR$m21-6446 959 $aDDR 996 $aAnnibale$9757594 997 $aUNINA LEADER 03560nam 2200673Ia 450 001 9910789066103321 005 20211022205701.0 010 $a3-11-092660-1 024 7 $a10.1515/9783110926606 035 $a(CKB)3400000000020905 035 $a(OCoLC)811411724 035 $a(CaPaEBR)ebrary10595977 035 $a(SSID)ssj0000714261 035 $a(PQKBManifestationID)11444902 035 $a(PQKBTitleCode)TC0000714261 035 $a(PQKBWorkID)10663974 035 $a(PQKB)10762955 035 $a(DE-B1597)56967 035 $a(OCoLC)840437945 035 $a(OCoLC)948656289 035 $a(DE-B1597)9783110926606 035 $a(Au-PeEL)EBL3041587 035 $a(CaPaEBR)ebr10595977 035 $a(OCoLC)922944614 035 $a(MiAaPQ)EBC3041587 035 $a(PPN)202181189 035 $a(EXLCZ)993400000000020905 100 $a20070618d2006 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 12$aA commentary on Euripides' Iphigenia in Tauris$b[electronic resource] /$fby Poulheria Kyriakou 210 $aBerlin ;$aNew York $cDe Gruyer$d2006 215 $a1 online resource (516 p.) 225 0 $aUntersuchungen zur antiken Literatur und Geschichte,$x1862-1112 ;$vBd. 80 300 $a"Metrical analysis of lyric parts": p. [469]-479. 311 0 $a3-11-019099-0 320 $aIncludes bibliographical references (p. [483]-489) and indexes. 327 $tFront matter --$tAcknowledgments --$tContents --$tIntroduction --$tCommentary. Part 1 --$tCommentary. Part 2 --$tCommentary. Part 3 --$tMetrical analysis of lyric parts --$tBibliography --$tIndexes 330 $aThis work is the first major commentary on Euripides' Iphigenia in Tauris to appear in English in more than 65 years. It offers detailed analysis of a fascinating play that scholars so far had considered mainly as a source of information about Athenian cult and viewed as a romantic adventure story with happy end. Apart from including sober assessments of textual, linguistic and metrical problems, the commentary sheds new light on the play's treatment of myth, its intricate structure, presentation of character, and place in Euripides' work. In particular it offers fresh insights into the play's relationship to the literary tradition, especially its treatment of the crimes of the Pelopids, and its presentation of the complex, ambiguous relationship of humans and gods as well as that of Greeks and barbarians. Unlike most other tragedies, Iphigenia in Tauris does not feature any villain and avoids concentrating on past crimes and their corrosive influence on the characters' present. The Taurians are not portrayed simply as savage and slow barbarians and Iphigenia, the most intelligent character, fails to transcend her limitations. Religion and cult in both myth and contemporary Athens are a mixture of traditional and invented elements and the play as a whole turns out to be an intriguing and unique experiment in Euripides' career. 606 $aGreek drama (Tragedy)$xHistory and criticism 610 $aAntiquity. 610 $aEuripides. 610 $aIphigenia. 610 $adrama. 610 $amyth. 615 0$aGreek drama (Tragedy)$xHistory and criticism. 676 $a882.0109 686 $aFH 24040$2rvk 700 $aKyriakou$b Poulheria$0476551 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910789066103321 996 $aIphigenia in Tauris$93606286 997 $aUNINA