LEADER 03286nam 2200601 450 001 9910789035503321 005 20230803034340.0 010 $a0-8173-8724-2 035 $a(CKB)3710000000086038 035 $a(EBL)1595746 035 $a(SSID)ssj0001396944 035 $a(PQKBManifestationID)11814037 035 $a(PQKBTitleCode)TC0001396944 035 $a(PQKBWorkID)11414732 035 $a(PQKB)11510121 035 $a(MiAaPQ)EBC1595746 035 $a(Au-PeEL)EBL1595746 035 $a(CaPaEBR)ebr10831944 035 $a(OCoLC)868489507 035 $a(EXLCZ)993710000000086038 100 $a20140204h20132013 uy| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aRitual, religion, and theatre /$feditor, E. Bert Wallace, Campbell University 210 1$aTuscaloosa, AL :$cUniversity of Alabama Press,$d[2013] 210 4$dİ2013 215 $a1 online resource (146 p.) 225 1 $aTheatre symposium,$x1065-4917 ;$vvolume 21 300 $aDescription based upon print version of record. 311 $a0-8173-7008-0 320 $aIncludes bibliographical references. 327 $aContents; Introduction; Keynote Address: "The Blessed Assurance of Perhaps" - Tom F. Driver; Transferring Belief: The Stage Presence of the Spiritual Meme - Cohen Ambrose; Ritual Performance and Spirituality in the Work of The Living Theatre, Past and Present - David Callaghan; Top Brass: Theatricality, Themes, and Theology in James Weldon Johnson's God's Trombones - Gregory S. Carr; Pretty's Got Me All Bent Out of Shape: Jordan Harrison's Act a Lady and the Ritual of Queerness - Matt DiCintio; Clash with the Vikings: Gerpla and the Struggle for National Identity in Iceland - Steve Earne 327 $aHeaven and Earth: Confession as Performance in Hamlet and Measure for Measure - Jennifer FlahertyTreasure in Clay Jars: Christian Liturgical Dramain Theory and Praxis - Charles A. Gillespie, Justin Kosec, and Kate Stratton; Between Piety and Sacrilege: Muslim Theatre and Performance - Thomas King; Cave Rituals and the Brain's Theatre - Mark Pizzato; Excerpts from "The Book of My Awkward Perspective" - William Doan; Contributors 330 $aVolume 21 of Theatre Symposium presents essays that explore the intricate and vital relationships between theatre, religion, and ritual.Whether or not theatre arose from ritual and/or religion, from prehistory to the present there have been clear and vital connections among the three. Ritual, Religion, and Theatre, volume 21 of the annual journal Theatre Symposium, presents a series of essays that explore the intricate and vital relationships that exist, historically and today, between these various modes of expression and performance.The essays in this volu 410 0$aTheatre symposium ;$vv. 21. 606 $aReligion and drama 606 $aReligious drama 615 0$aReligion and drama. 615 0$aReligious drama. 676 $a792 676 $a792.05 676 $a792/.05 701 $aWallace$b E. Bert$01528144 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910789035503321 996 $aRitual, religion, and theatre$93771555 997 $aUNINA