LEADER 03012nam 2200601 450 001 9910789018903321 005 20200520144314.0 010 $a1-78533-203-1 010 $a0-85745-979-1 024 7 $a10.1515/9780857459794 035 $a(CKB)3710000000088724 035 $a(EBL)1375292 035 $a(SSID)ssj0001108071 035 $a(PQKBManifestationID)12462584 035 $a(PQKBTitleCode)TC0001108071 035 $a(PQKBWorkID)11086394 035 $a(PQKB)10981350 035 $a(MiAaPQ)EBC1375292 035 $a(Au-PeEL)EBL1375292 035 $a(CaPaEBR)ebr10838891 035 $a(CaONFJC)MIL600299 035 $a(OCoLC)870946161 035 $a(DE-B1597)636076 035 $a(DE-B1597)9780857459794 035 $a(EXLCZ)993710000000088724 100 $a20140304h20142014 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe demons of modernity $eIngmar Bergman and the European cinema /$fJohn Orr ; foreword, Maaret Koskinen 210 1$aNew York, [New York] ;$aOxford, [England] :$cBerghahn Books,$d2014. 210 4$dİ2014 215 $a1 online resource (134 pages) $cillustrations 300 $aDescription based upon print version of record. 311 $a1-306-69048-X 311 $a0-85745-978-3 320 $aIncludes filmography, bibliographical references and index. 327 $aHalf-title; Title; Imprint; Dedication; Contents; List of illustrations; Foreword; Chapter One: Ingmar Bergman - The Demons of Modernity; Chapter Two: The Shadow of Transcendence - Dreyer-Bergman-Tarkovsky; Chapter Three: Lure of the Archipelago - Bergman-Godard-New Wave; Chapter Four: Existential Stoicism - Bergman-Antonioni; Afterword and Acknowlegements; Filmography; Selected Bibliography; Index 330 $aIIngmar Bergman's films had a very broad and rich relationship with the rest of European cinema, contrary to the myth that Bergman was a peripheral figure, culturally and aesthetically isolated from the rest of Europe. This book contends that he should be put at the very center of European film history by chronologically comparing Bergman's relationship to key European directors such as Carl Theodor Dreyer, Jean-Luc Godard, Michelangelo Antonioni, and Andrei Tarkovsky, and also looks at Bergman's critical relationship to key movements in film history such as the French New Wave. In so doing, it demonstrates how Ingmar Bergman's films illustrate the demonic struggle in modernity between faith and secularity through ?his intense preoccupation with the malaise of intimacy.? 606 $aMotion pictures$zEurope$xHistory$y20th century 615 0$aMotion pictures$xHistory 676 $a791.4302/33092 700 $aOrr$b John$0385483 701 $aKoskinen$b Maaret$01533858 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910789018903321 996 $aThe demons of modernity$93781009 997 $aUNINA