LEADER 01144nam0 22002891i 450 001 VAN0022984 005 20070209120000.0 100 $a20040907d1992 |0itac50 ba 101 $aita 102 $aIT 105 $a|||| ||||| 200 1 $aˆL'‰adolescente e il suo mondo relazionale$eteoria e tecnica psicoanalitica$fAnna Maria Nicoḷ, Giulio Cesare Zavattini 210 $aRoma$cNIS$d1992 215 $a203 p.$d22 cm. 606 $aAdolescenti$xPsicanalisi$3VANC009530$2FI 620 $dRoma$3VANL000360 676 $a616.8917$v21 700 1$aNicoḷ$bAnna Maria$3VANV019157$0388559 701 1$aZavattini$bGiulio C.$3VANV013780$0729566 712 $aNIS $3VANV108042$4650 790 1$aZavattini, Giulio Cesare$zZavattini, Giulio C.$3VANV061286 801 $aIT$bSOL$c20230616$gRICA 899 $aBIBLIOTECA DEL DIPARTIMENTO DI PSICOLOGIA$1IT-CE0119$2VAN16 912 $aVAN0022984 950 $aBIBLIOTECA DEL DIPARTIMENTO DI PSICOLOGIA$d16CONS 2400 $e16LET6860 20040907 996 $aAdolescente e il suo mondo relazionale$91432461 997 $aUNICAMPANIA LEADER 03498nam 2200625 450 001 9910789016103321 005 20200520144314.0 010 $a1-78238-279-8 024 7 $a10.1515/9781782382799 035 $a(CKB)3710000000088870 035 $a(EBL)1375274 035 $a(SSID)ssj0001108833 035 $a(PQKBManifestationID)11700777 035 $a(PQKBTitleCode)TC0001108833 035 $a(PQKBWorkID)11104270 035 $a(PQKB)10308104 035 $a(MiAaPQ)EBC1375274 035 $a(Au-PeEL)EBL1375274 035 $a(CaPaEBR)ebr10838899 035 $a(CaONFJC)MIL600295 035 $a(OCoLC)870946159 035 $a(DE-B1597)636171 035 $a(DE-B1597)9781782382799 035 $a(EXLCZ)993710000000088870 100 $a20140303h20142014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aSubjective realist cinema $efrom expressionism to Inception /$fMatthew Campora 210 1$aNew York, [New York] ;$aOxford, [England] :$cBerghahn Books,$d2014. 210 4$d©2014 215 $a1 online resource (160 p.) 300 $aDescription based upon print version of record. 311 $a1-78238-278-X 320 $aIncludes filmography, bibliographical references and index. 327 $aContents; Acknowledgments; Introduction; Three Periods of Narrative Experimentation; Multiform Narratives; Subjective Realism; 1. Complex Narratives; The New Hollywood and the Smart Film; New Hollywood Narration; Fragmented Narratives; Multi-strand Narratives; Multiform Narratives; Brazil; Puzzle Films; 2. Two Trajectories of the Cinema of Attractions; The Narrative Trajectory: Realism and Spectacle; The Avant-Garde Trajectory: Realism and Defamiliarization; 3. Subjective Realism and Multiform Narratives; Subjective Realism; Vertigo; The Fantastic; Wild Strawberries; 4. Mulholland Drive 327 $aExpressionism and the Uncanny in Mulholland DriveThree Views; As Surrealist or Trance Film; As Fragmented, Subjective Realist Film; As Supernatural Film; It Is All an Illusion; 5. Memento; The Four Strands; Unreliable Narration; Disrupted Expectations; Subjective Realism; 6. Eternal Sunshine of the Spotless Mind; The Philosophy of Eternal Sunshine; Temporal Inversions; Subjective Realism; Sonic Metalepsis; The Marvelous Real; Conclusion; Filmography; Bibliography; Index 330 $a Subjective Realist Cinema looks at the fragmented narratives and multiple realities of a wide range of films that depict subjective experience and employ "subjective realist" narration, including recent examples such as Mulholland Drive, Memento, and Eternal Sunshine of the Spotless Mind. The author proposes that an understanding of the narrative structures of these films, particularly their use of mixed and multiple realities, enhances viewers' enjoyment and comprehension of such films, and that such comprehension offers a key to understanding contempora 606 $aMotion pictures$xPhilosophy 606 $aSubjectivity in motion pictures 606 $aRealism in motion pictures 615 0$aMotion pictures$xPhilosophy. 615 0$aSubjectivity in motion pictures. 615 0$aRealism in motion pictures. 676 $a791.43/612 700 $aCampora$b Matthew$01549528 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910789016103321 996 $aSubjective realist cinema$93807669 997 $aUNINA