LEADER 00800nam0-22002771i-450- 001 990003938180403321 005 20050913103206.0 010 $a0-415-24919-8 035 $a000393818 035 $aFED01000393818 035 $a(Aleph)000393818FED01 035 $a000393818 100 $a20030910d2001----km-y0itay50------ba 101 0 $aEng 102 $aGB 200 1 $aComplex responsive processes in organizations$elearning and knowledge creation$fRalph D.Stacey 210 $aLondon$cRoutledge$d2001 215 $ax, 258 p.$d23 cm 700 1$aStacey,$bRalph D.$0116479 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990003938180403321 952 $a1-7-762-TI$b7907$fECA 959 $aECA 996 $aComplex responsive processes in organizations$9511332 997 $aUNINA LEADER 01862nam0-22006251i-450 001 990008320080403321 005 20180726111134.0 010 $a88-348-3263-9$bvol. 1 010 $a88-348-4133-6$bvol. 2 035 $a000832008 035 $aFED01000832008 035 $a(Aleph)000832008FED01 035 $a000832008 100 $a20110121g20032004km-y0itay50------ba 101 0 $aita 102 $aIT 105 $ay---n---001yy 200 1 $aDiritto degli enti locali$f[a cura di] Ferdinando Pinto 210 $aTorino$cGiappichelli$d2003-2004 215 $a2 v.$d24 cm 327 1 $a1.: Parte generale$a2.: Le funzioni e l'organizzazione / M. 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Amnesia and Historical Memory --$t2. The Political Economy of Italian Cinema, 1922-1943 --$t3. Leisure Time, Historiography, and Spectatorship --$t4. Italy and America: Fascination and (Re)Negotiation --$t5. The Fascist Codex --$tNotes --$tSelected Bibliography --$tIndex 330 $aThis study considers Italian filmmaking during the Fascist era and offers an original and revealing approach to the interwar years. Steven Ricci directly confronts a long-standing dilemma faced by cultural historians: while made during a period of totalitarian government, these films are neither propagandistic nor openly "Fascist." Instead, the Italian Fascist regime attempted to build ideological consensus by erasing markers of class and regional difference and by circulating terms for an imaginary national identity. Cinema and Fascism investigates the complex relationship between the totalitarian regime and Italian cinema. It looks at the films themselves, the industry, and the role of cinema in daily life, and offers new insights into this important but neglected period in cinema history. 606 $aMotion pictures$zItaly$xHistory 606 $aFascism and motion pictures$zItaly$xHistory 606 $aMotion pictures$xSocial aspects$zItaly 610 $aanti fascism. 610 $aclass differences. 610 $acultural studies. 610 $afascism. 610 $afascist era. 610 $afascist sports. 610 $afilm history. 610 $afilm industry. 610 $afilm studies. 610 $ahistorical memory. 610 $ahistoriography. 610 $ahollywood. 610 $aideology. 610 $aindustrialization. 610 $ainterwar years. 610 $aitalian cinema. 610 $aitalian fascist regime. 610 $aitalian film history. 610 $aitalian film. 610 $aitalian filmmaking. 610 $aitaly. 610 $aleisure time. 610 $amovie studies. 610 $amussolini. 610 $anational body. 610 $anational identity. 610 $aneorealism. 610 $apolitical. 610 $apolitics. 610 $apropaganda. 610 $areadership. 610 $aregional differences. 610 $aspectatorship. 610 $atotalitarian government. 615 0$aMotion pictures$xHistory. 615 0$aFascism and motion pictures$xHistory. 615 0$aMotion pictures$xSocial aspects 676 $a791.43/094509041 686 $a24.32$2bcl 700 $aRicci$b Steven$0618081 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910789000603321 996 $aCinema and fascism$91683562 997 $aUNINA