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181   $ctxt
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200 14$aThe totality for kids$b[electronic resource] /$fJoshua Clover
210   $aBerkeley $cUniversity of California Press$dc2006
215   $a1 online resource (86 p.)
225 1 $aNew California poetry ;$v16
300   $aIncludes index.
311 0 $a0-520-24599-7 
311 0 $a0-520-24600-4 
327   $tFront matter --$tContents --$tCeriserie --$tPoem (We Always Send It To The Wrong Address) --$tEarly Style --$t"Alas, That Is The Name Of Our Town; I Have Been Concealing It All This Time" --$tBaroque Parable --$tPoem (I Come Across The Paving Stones) --$tBlue'S 1900 --$tThe Other Atelier --$tAeon Flux: June --$tAuteur Theory --$tAntwerp Rainy All Churches Still Haunted --$tOMA --$tA-Shaped Gate --$tRue Des Blancs Manteaux --$tIn Jaufré Rudel'S Song --$tNo More Boffins --$tChreia --$tLetters And Sodas --$tFrench Narratives --$tÇa Ira --$tKantine --$tPoem (We Are Bored In The City) --$tThe Dark Ages --$tEn Abyme --$t"An Archive Of Confessions, A Genealogy Of Confessions" --$t"Of The City Of The Dark . . ." --$tPoem (Tired Of People, I Wanted The Mail To Come) --$tValiant En Abyme --$tFeral Floats The Form In Heaven And Of Light --$tParable Lestrange --$tPoem (So I Went Out Into The Nervous System Of The Air-) --$tAporia --$tA Boy'S Own Story --$tReturn To Rue Des Blancs Manteaux --$tWhiteread Walk --$tTheir Ambiguity --$tWhiteread Walk --$tFor The Little Soldier --$tLate Style --$tYear Zero --$tWhat'S American About American Poetry? --$tAt The Atelier Teleology --$tAcknowledgments --$tIndex
330   $aThe Totality for Kids is the second collection of poems by Joshua Clover, whose debut, Madonna anno domini, won the Walt Whitman award from the Academy of American Poets. This volume takes as its subject the troubled sleep of late modernity, from the grandeur and failure of megacities to the retreats and displacements of the suburbs. The power of crowds and architecture commingles with the alienation and idleness of the observer, caught between "the brutal red dream/Of the collective" and "the parade/Of the ideal citizen." The book's action takes place in these gaps, "dead spaces beside the endlessly grieving stream." The frozen tableau of the spectacle meets its double in the sense that something is always about to happen. Political furies and erotic imaginings coalesce and escape within a welter of unmoored allusions, encounters, citations, and histories, the dreams possible within the modern's excess of signification-as if to return revolutionary possibility to the regime of information by singing it its own song.
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