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010   $a9786612414626
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100   $a20080827d2008      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 00$aSelfhood on the early modern English stage$b[electronic resource] /$fedited by Pauline Blanc
210   $aNewcastle $cCambridge Scholars$d2008
215   $a1 online resource (221 p.)
300   $a"Essays presented ... the international two-day colloquium ... at the University of Jean Moulin-Lyon 3 in April 2006"--Introd.
311   $a1-84718-451-0 
320   $aIncludes bibliographical references.
327   $apt. 1. Selfhood in its emergent stages -- pt. 2. Selfhood : a cultural and literary construct -- pt. 3. Selfhood and Hamlet -- pt. 4. Selfhood and signature -- pt. 5. Selfhood and royal affiliation.
330   $aThe twelve essays in Selfhood on the Early Modern English Stage analyse the influences that shaped the fictional constructs that inhabited the drama of the early modern period. The contributors, all specialists in the field working in France and England, offer a wide spectrum of views and discuss a variety of dramatic texts ranging from late medieval cycle plays and interludes of the Tudor period, to plays by Marlowe, Shakespeare, Tourneur and Jonson. The early modern stage self emerges out o...
606   $aSelf in literature$vCongresses
606   $aEnglish drama$yEarly modern and Elizabethan, 1500-1600$vCongresses
615  0$aSelf in literature
615  0$aEnglish drama
676   $a792.0942
701   $aBlanc$b Pauline$01564395
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910788993203321
996   $aSelfhood on the early modern English stage$93833393
997   $aUNINA