LEADER 03620nam 2200985 a 450 001 9910788991503321 005 20230617034307.0 010 $a1-282-76289-3 010 $a9786612762895 010 $a0-520-93711-2 024 7 $a10.1525/9780520937116 035 $a(CKB)3390000000006973 035 $a(EBL)837170 035 $a(OCoLC)773564888 035 $a(SSID)ssj0000444782 035 $a(PQKBManifestationID)11293206 035 $a(PQKBTitleCode)TC0000444782 035 $a(PQKBWorkID)10482009 035 $a(PQKB)11326551 035 $a(MiAaPQ)EBC837170 035 $a(DE-B1597)520981 035 $a(OCoLC)1114790967 035 $a(DE-B1597)9780520937116 035 $a(Au-PeEL)EBL837170 035 $a(CaPaEBR)ebr10676266 035 $a(CaONFJC)MIL276289 035 $a(EXLCZ)993390000000006973 100 $a20020925d2003 uy 0 101 0 $aeng 135 $aurnn#---|u||u 181 $ctxt 182 $cc 183 $acr 200 10$aWhy, why not$b[electronic resource] /$fMartha Ronk 210 $aBerkeley $cUniversity of California Press$d2003 215 $a1 online resource (101 p.) 225 1 $aNew California poetry ;$vv. 8 300 $aDescription based upon print version of record. 311 0 $a0-520-23623-8 311 0 $a0-520-23811-7 327 $tFront matter --$tContents --$t1. Perplexities --$t2. Why Knowing Is --$t3. Why/Why Not --$tAcknowledgments 330 $aWhy/Why Not presents a speaker caught in quandaries created by changing perspectives, fervors, and locales. Why do we act one way here and another there; why can't a mind stay made up; why do we hate and love at the same time; why does memory fade or insist; why does the ordinary seem so uncanny? These questions are captured in lines that collide and merge, in irreverent and offhand jibes, and in plaintive repetitions.Why/Why Not moves across a vivid terrain-the stage of Hamlet, Phillip Marlowe's Los Angeles, Prague, paintings and gardens-to push through a tangle of ways to make sense of the world. Martha Ronk's poetic language is that of the everyday slightly skewed, as if pieces of an ordinary sentence were missing. Ronk's poems use the repetitive and the banal to explore ways in which language is intertwined with thought and experience. 410 0$aNew California poetry ;$vv. 8. 606 $aAmerican poetry$y21st century 610 $aamerican poets. 610 $abeauty. 610 $achanging perspectives. 610 $achanging places. 610 $acomplex. 610 $acontemporary poetry. 610 $aexploration of language. 610 $afamous poets. 610 $afemale speaker. 610 $ahamlet. 610 $ahuman experience. 610 $ahuman thought. 610 $aintellectual poetry. 610 $airreverent. 610 $aliterature students. 610 $alos angeles. 610 $amaking sense. 610 $amemory. 610 $anarrative poetry. 610 $aphillip marlowe. 610 $aphilosophy. 610 $apoetic language. 610 $apoetry collection. 610 $apoetry. 610 $aprague. 610 $aquestioning. 610 $arealism. 610 $arepetition. 610 $athought provoking. 610 $atouching. 610 $awomen authors. 615 0$aAmerican poetry 676 $a811/.54 700 $aRonk$b Martha Clare$01564379 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910788991503321 996 $aWhy, why not$93833378 997 $aUNINA