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100   $a20100126d2009      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 00$aPerformance, embodiment and cultural memory$b[electronic resource] /$fedited by Colin Counsell and Roberta Mock
210   $aNewcastle upon Tyne $cCambridge Scholars$d2009
215   $a1 online resource (233 p.)
300   $aDescription based upon print version of record.
311   $a1-4438-1120-3 
320   $aIncludes bibliographical references.
327   $aCONTENTS; INTRODUCTION; PERFORMING INTERCULTURAL MEMORY IN THE DIASPORIC PRESENT; EMBODIMENT OF MEMORY AND THE DIASPORIC AGENT IN AKRAM KHAN COMPANY'S BAHOK; TOHU-BOHU; BELATED SPACES; BARCELONA; DEAD BODIES/LIVE BODIES; CONSUMING CULTURE; NO SWEAT; PIANOLA KARAOKE AND OTHER ATTRACTIONS; NOISE, MEMORY, GESTURE; KEY TEXTS; CONTRIBUTORS
330   $aThe subject of cultural memory, and of the body's role in its creation and dissemination, is central to current academic debate, particularly in relation to performance. Viewed from a variety of theoretical positions, the actions of the meaning-bearing body in culture and its capacity to reproduce, challenge or modify existing formulations have been the focus of some of the most influential studies to emerge from the arts and humanities in the last two and a half decades. The ten essays bro...
606   $aPerforming arts$xSocial aspects
606   $aCollective memory
606   $aBody language
606   $aHuman body$xSymbolic aspects
606   $aGroup identity
606   $aPerforming arts$xAnthropological aspects
606   $aPerforming arts$xSemiotics
615  0$aPerforming arts$xSocial aspects.
615  0$aCollective memory.
615  0$aBody language.
615  0$aHuman body$xSymbolic aspects.
615  0$aGroup identity.
615  0$aPerforming arts$xAnthropological aspects.
615  0$aPerforming arts$xSemiotics.
676   $a306.4/84
701   $aCounsell$b Colin$f1956-$01558617
701   $aMock$b Roberta$01529266
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910788990703321
996   $aPerformance, embodiment and cultural memory$93833370
997   $aUNINA