LEADER 03484nam 22006372 450 001 9910788936103321 005 20151005020623.0 010 $a1-107-50290-X 010 $a1-139-89356-4 010 $a1-107-50129-6 010 $a1-107-50667-0 010 $a1-107-51706-0 010 $a1-107-33715-1 010 $a1-107-49737-X 010 $a1-107-50400-7 035 $a(CKB)3710000000057232 035 $a(EBL)1543639 035 $a(OCoLC)862614775 035 $a(SSID)ssj0001040112 035 $a(PQKBManifestationID)12452197 035 $a(PQKBTitleCode)TC0001040112 035 $a(PQKBWorkID)11000859 035 $a(PQKB)10940860 035 $a(UkCbUP)CR9781107337152 035 $a(MiAaPQ)EBC1543639 035 $a(Au-PeEL)EBL1543639 035 $a(CaPaEBR)ebr10795357 035 $a(EXLCZ)993710000000057232 100 $a20130201d2013|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe Bible on silent film $espectacle, story and scripture in the early cinema /$fDavid J. Shepherd$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2013. 215 $a1 online resource (xii, 320 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a1-107-61732-4 311 $a1-107-04260-7 320 $aIncludes bibliographical references and indexes. 327 $aIntroduction -- 1. 'Like one of the prophets of old': passions and cameos -- 2. 'See this great sight': spectacle and miracle -- 3. 'That my wonders may be multiplied': Blackton and elaboration -- 4. 'How are the mighty fallen': Feuillade and tragedy -- 5. 'All the country wept aloud': Andre?ani and melodrama -- 6. 'The top of it reached to heaven': Griffith, analogy and scale -- 7. 'She came close to his bed': vamps and other leading ladies -- 8. 'But Pharaoh hardened his heart': Exodus and Egypt -- 9. 'The end of these wonders?': The triumph of spectacle -- Afterword. 330 $aBetween the advent of motion pictures in the 1890s and the close of the 'silent' era at the end of the 1920s, many of the longest, most expensive and most watched films on both sides of the Atlantic drew upon biblical traditions. David J. Shepherd traces the evolution of the biblical film through the silent era, asking why the Bible attracted early film makers, how biblical films were indebted to other interpretive traditions, and how these films were received. Drawing upon rarely seen archival footage and early landmark films of directors such as Louis Feuillade, D. W. Griffith, Michael Curtis and Cecil B. DeMille, this history treats well-known biblical subjects including Joseph, Moses, David and Jesus, along with lesser-known biblical stars such as Jael, Judith and Jephthah's daughter. This book will be of great interest to students of Biblical studies, Jewish studies and film studies. 606 $aBible films$xHistory and criticism 606 $aSilent films$xReligious aspects 615 0$aBible films$xHistory and criticism. 615 0$aSilent films$xReligious aspects. 676 $a791.43/682 686 $aREL006210$2bisacsh 700 $aShepherd$b David$f1972-$01473066 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910788936103321 996 $aThe Bible on silent film$93686120 997 $aUNINA