LEADER 05896nam 2200625 450 001 9910788933903321 005 20201023111955.0 010 $a1-4725-3937-0 010 $a1-4725-3938-9 024 7 $a10.5040/9781472539397 035 $a(CKB)3710000000057171 035 $a(EBL)1539004 035 $a(SSID)ssj0001041780 035 $a(PQKBManifestationID)11580821 035 $a(PQKBTitleCode)TC0001041780 035 $a(PQKBWorkID)11044905 035 $a(PQKB)10708690 035 $a(MiAaPQ)EBC1539004 035 $a(OCoLC)1201426846 035 $a(CaBNVSL)mat72539397 035 $a(CaBNVSL)9781472539397 035 $a(EXLCZ)993710000000057171 100 $a20201023d2020 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aWomen making Shakespeare $etext, reception, performance /$fedited by Gordon McMullan, Lena Cowen Orlin and Virginia Mason Vaughan 210 1$aLondon, England :$cBloomsbury Arden Shakespeare,$d2020. 210 2$aLondon, England :$cBloomsbury Publishing,$d2020 215 $a1 online resource (383 p.) 225 0 $aArden Shakespeare (Critical studies) Women Making Shakespeare 300 $aDescription based upon print version of record. 311 $a1-4081-8523-7 320 $aIncludes bibliographical references and index. 327 $aPart One: Text -- 1 Edward III: Women and the Making of Shakespeare as Historical Dramatist Jean E. Howard -- 2 Beguiling Fictions Dympna Callaghan -- 3 'Bride-habited, but maiden-hearted': Language and Gender in The Two Noble Kinsmen Hannah Crawforth -- 4 Gender, the False Universal and Shakespeare's Comedies Hilda L. Smith -- 5 In Plain Sight: Visible Women and Early Modern Plays David Scott Kastan -- 6 Remaking the Texts: Women Editors of Shakespeare, Past and Present Valerie Wayne -- 7 'To be acknowledged, madam, is o'erpaid': Woman's Role in the Production of Scholarly Editions of Shakespeare Neil Taylor -- 8 Some Women Editors of Shakespeare: A Preliminary Sketch H. R. Woudhuysen -- 9 Bernice Kliman's Enfolded Hamlet John Lavagnino -- 10 Women Making Shakespeare - and Middleton and Jonson Suzanne Gossett -- Part Two: Reception -- 11 Juliet and the Vicissitudes of Gender Catherine Belsey -- 12 Women Painting Shakespeare: Angelica Kauffman's Text-images Keir Elam -- 13 Women Reading Witches, 1800-1850 Lucy Munro -- 14 Joanna Baillie: The Female Shakespeare Fiona Ritchie -- 15 The Girlhood of Mary Cowden Clarke Kate Chedgzoy -- 16 'A Sacred Trust': Helen Faucit, Geraldine Jewsbury, and the Idealized Shakespeare Lois Potter -- 17 Invisible Women: Mary Dunbar and The Shakespeare Birthday Book Anne Isherwood -- 18 'A marvelous convenient place': Women Reading Shakespeare in Montana, 1890-1918 Gretchen E. Minton -- 19 Remembering Charlotte Stopes Kathleen E. McLuskie -- 20 'Or was it Sh--p--re?': Shakespeare in the manuscript of Virginia Woolf's To the Lighthouse Reiko Oya -- Part Three: Performance -- 21 The Vere Street Desdemona: Othello and the Theatrical Englishwoman, 1602-1660 Clare McManus -- 22 Lady Forbes-Robertson's War Work: Gertrude Elliott and the Shakespeare Hut Performances, 1916-1919 Ailsa Grant Ferguson -- 23 Editing Olivier's Hamlet: An Interview with Helga Keller Gordon McMullan -- 24 Trusting the Words: Patsy Rodenburg, Laurence Olivier and the Women of Richard III Trudi Darby -- 25 Peggy of Anjou Russ McDonald -- 26 Women Playing Hamlet on the Spanish Stage Jose? Manuel Gonza?lez -- 27 Re-making Katherina: Julia Marlowe and The Taming of the Shrew Elizabeth Schafer -- 28 Class, Identity, and Comic Choice: Bill Alexander's The Taming of the Shrew Iska Alter -- 29 Re-creating Katherina: The Taming of the Shrew at Shakespeare's Globe Farah Karim-Cooper -- 30 Ms-Directing Shakespeare at the Globe to Globe Festival, 2012 Sonia Massai -- 31 Sexing up Goneril: Feminism and Fetishization in Contemporary King Lear Performance Kevin A. Quarmby -- 32 Not Sycorax Judith Buchanan -- 33 'Miranda, where's your mother?': Female Prosperos and What They Tell Us Virginia Mason Vaughan -- 34 Joseph Cornell: A poem by John Thompson for Ann Thompson. 330 $aWomen Making Shakespeare presents a series of 20-25 short essays that draw on a variety of resources, including interviews with directors, actors, and other performance practitioners, to explore the place (or constitutive absence) of women in the Shakespearean text and in the history of Shakespearean reception - the many ways women, working individually or in communities, have shaped and transformed the reception, performance, and teaching of Shakespeare from the 17th century to the present. The book highlights the essential role Shakespeare's texts have played in the historical development of feminism. Rather than a traditional collection of essays, Women Making Shakespeare brings together materials from diverse resources and uses diverse research methods to create something new and transformative. Among the many women's interactions with Shakespeare to be considered are acting (whether on the professional stage, in film, on lecture tours, or in staged readings), editing, teaching, academic writing, and recycling through adaptations and appropriations (film, novels, poems, plays, visual arts). 606 $aFeminist literary criticism 606 $aWomen in literature 606 $aShakespeare studies & criticism$2bicssc 615 0$aFeminist literary criticism. 615 0$aWomen in literature. 615 7$aShakespeare studies & criticism 676 $a822.3/3 702 $aMcMullan$b Gordon$f1962- 702 $aOrlin$b Lena Cowen 702 $aVaughan$b Virginia Mason 801 0$bE7B 801 1$bCaBNVSL 801 2$bCaBNVSL 906 $aBOOK 912 $a9910788933903321 996 $aWomen making Shakespeare$93686103 997 $aUNINA