LEADER 03000nam 2200577 450 001 9910788826403321 005 20230810000342.0 010 $a3-11-039528-2 010 $a3-11-033901-3 024 7 $a10.1515/9783110339017 035 $a(CKB)3360000000515116 035 $a(MiAaPQ)EBC4749680 035 $a(DE-B1597)214758 035 $a(OCoLC)978248097 035 $a(OCoLC)979690123 035 $a(DE-B1597)9783110339017 035 $a(Au-PeEL)EBL4749680 035 $a(CaPaEBR)ebr11371520 035 $a(OCoLC)983739923 035 $a(EXLCZ)993360000000515116 100 $a20170424h20172017 uy p 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aTranslating jazz into poetry /$fErik Redling 210 1$aBerlin, [Germany] ;$aBoston, [Massachusetts] :$cDe Gruyter,$d2017. 210 4$dİ2017 215 $a1 online resource (320 pages) 225 0 $aBuchreihe der Anglia =$aAnglia Book Series 311 $a3-11-032654-X 320 $aIncludes bibliographical references. 327 $tFrontmatter -- $tAcknowledgments -- $tContents -- $t1. Introduction -- $t2. Mimesis: Intermediality and Reductive Interpretations of Jazz Poems -- $t3. Metaphor: Intermedial Translation as a Metaphorical Process -- $t4 "Oh Play that Thing you Jazz Mad Fools!" Exploring the Creatively Inspired Metaphor jazz music is writing in Jazz Poetry -- $t5. Conclusion -- $tWorks Cited -- $tPoetry Index -- $tCredit Lines -- $tName Index -- $tSubject Index 330 $aThe study develops a new theoretical approach to the relationship between two media (jazz music and writing) and demonstrates its explanatory power with the help of a rich sampling of jazz poems. Currently, the mimetic approach to intermediality (e.g., the notion that jazz poetry imitates jazz music) still dominates the field of criticism. This book challenges that interpretive approach. It demonstrates that a mimetic view of jazz poetry hinders readers from perceiving the metaphoric ways poets rendered music in writing. Drawing on and extending recent cognitive metaphor theories (Lakoff, Johnson, Turner, Fauconnier), it promotes a conceptual metaphor model that allows readers to discover the innovative ways poets translate "melody," "dynamics," "tempo," "mood," and other musical elements into literal and figurative expressions that invite readers to imagine the music in their mind's eye (i.e., their mind's ear). 606 $aPoetry$xHistory and criticism 610 $aAmerican Literature. 610 $aCognitive Poetics. 610 $aIntermediality. 610 $aJazz Music. 615 0$aPoetry$xHistory and criticism. 676 $a808.1 686 $aHU 1761$2rvk 700 $aRedling$b Erik$01524242 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910788826403321 996 $aTranslating jazz into poetry$93764915 997 $aUNINA