LEADER 02417nam 2200565 450 001 9910788790503321 005 20180327174159.0 010 $a0-8218-8104-3 010 $a0-8218-3819-9 035 $a(CKB)3240000000069951 035 $a(EBL)3113266 035 $a(SSID)ssj0000629225 035 $a(PQKBManifestationID)11451439 035 $a(PQKBTitleCode)TC0000629225 035 $a(PQKBWorkID)10718137 035 $a(PQKB)11226125 035 $a(MiAaPQ)EBC3113266 035 $a(RPAM)14658841 035 $a(PPN)197107524 035 $a(EXLCZ)993240000000069951 100 $a20061207h20072007 uy| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAdvances in logic $ethe North Texas Logic Conference, October 8-10, 2004, University of North Texas, Denton, Texas /$fSu Gao, Steve Jackson, Yi Zhang, editors 210 1$aProvidence, Rhode Island :$cAmerican Mathematical Society,$d[2007] 210 4$dİ2007 215 $a1 online resource (162 p.) 225 1 $aContemporary mathematics,$x0271-4132 ;$v425 300 $aDescription based upon print version of record. 320 $aIncludes bibliographical references. 327 $a""Contents""; ""Preface""; ""A stationary-tower-free proof of the derived model theorem""; ""A proof of the a???21-absoluteness theorem""; ""A simple inductive measure analysis for cardinals under the Axiom of Determinacy""; ""The complexity of the index sets of N0-categorical theories and of Ehrenfeucht theories""; ""Computable structures of Scott rank I??CK1 in familiar classes""; ""Thin classes of separating sets""; ""Voting rules for infinite sets and Boolean algebras""; ""Very mad families""; ""Borel boundedness and the lattice rounding property""; ""Steinhaus sets and Jackson sets"" 327 $a""A problem list"" 410 0$aContemporary mathematics (American Mathematical Society) ;$vv. 425. 606 $aLogic, Symbolic and mathematical$vCongresses 615 0$aLogic, Symbolic and mathematical 676 $a511.3 702 $aGao$b Su$f1968- 702 $aJackson$b Steve$f1957- 702 $aZhang$b Yi$f1964 August 22- 712 12$aNorth Texas Logic Conference 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910788790503321 996 $aAdvances in logic$93675739 997 $aUNINA LEADER 03826nam 2200637 450 001 9910815195403321 005 20230807214215.0 010 $a0-231-85080-8 024 7 $a10.7312/elwe17450 035 $a(CKB)3710000000382601 035 $a(EBL)1922326 035 $a(SSID)ssj0001537825 035 $a(PQKBManifestationID)11953097 035 $a(PQKBTitleCode)TC0001537825 035 $a(PQKBWorkID)11519712 035 $a(PQKB)10977513 035 $a(StDuBDS)EDZ0001143601 035 $a(MiAaPQ)EBC1922326 035 $a(DE-B1597)458315 035 $a(OCoLC)1011438386 035 $a(OCoLC)1013947105 035 $a(OCoLC)979628960 035 $a(DE-B1597)9780231850803 035 $a(Au-PeEL)EBL1922326 035 $a(CaPaEBR)ebr11050049 035 $a(CaONFJC)MIL776837 035 $a(OCoLC)908080415 035 $a(EXLCZ)993710000000382601 100 $a20150509h20152015 uy| 0 101 0 $aeng 135 $aur||#|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aInstallation and the moving image /$fCatherine Elwes 210 1$aLondon :$cWallflower Press,$d[2015] 210 4$dİ2015 215 $a1 online resource (323 p.) 300 $aDescription based upon print version of record. 311 $a0-231-17451-9 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tAcknowledgements --$tIntroduction --$tArchitecture --$tPainting --$tSculpture --$tPerformance --$tFilm History --$tFilm as Film --$tStructural Film: Detractions and Revisions --$tThe Dialectics of Spectatorship --$tExpanded Cinema --$tSound --$tVideo Installation --$tClosing Thoughts --$tBibliography --$tIndex 330 $aFilm and video create an illusory world, a reality elsewhere, and a material presence that both dramatizes and demystifies the magic trick of moving pictures. Beginning in the 1960's, artists have explored filmic and televisual phenomena in the controlled environments of galleries and museums, drawing on multiple antecedents in cinema, television, and the visual arts. This volume traces the lineage of moving-image installation through architecture, painting, sculpture, performance, expanded cinema, film history, and countercultural film and video from the 1960's, 1970's, and 1980's.Sound is given due attention, along with the shift from analogue to digital, issues of spectatorship, and the insights of cognitive science. Woven into this genealogy is a discussion of the procedural, political, theoretical, and ideological positions espoused by artists from the mid-twentieth century to the present. Historical constructs such as Peter Gidal's structural materialism, Maya Deren's notion of vertical and horizontal time, and identity politics are reconsidered in a contemporary context and intersect with more recent thinking on representation, subjectivity, and installation art. The book is written by a critic, curator, and practitioner who was a pioneer of British video and feminist art politics in the late 1970's. Elwes writes engagingly of her encounters with works by Anthony McCall, Gillian Wearing, David Hall, and Janet Cardiff, and her narrative is informed by exchanges with other practitioners. While the book addresses the key formal, theoretical, and historical parameters of moving-image installation, it ends with a question: "What's in it for the artist?" 606 $aFilm installations (Art) 606 $aInstallations (Art) 615 0$aFilm installations (Art) 615 0$aInstallations (Art) 676 $a709.04 700 $aElwes$b Catherine$01695179 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910815195403321 996 $aInstallation and the moving image$94074237 997 $aUNINA