LEADER 00846nam1 2200313 450 001 990006112510203316 005 20160118113944.0 035 $a000611251 035 $aUSA01000611251 035 $a(ALEPH)000611251USA01 035 $a000611251 100 $a20160118d--------km-y0itay50------ba 101 $aita 102 $aIT 105 $a||||||||001yy 200 1 $a<> opere di Giorgio Arcoleo 210 $aMilano$cMondadori 215 $avolumi$d23 cm 463 \1$1001990006112530203316$12001 $a<<1:>> Studii e profili 600 1 $aArcoleo,$bGiorgio$2BNCF 676 $a320.092 801 0$aIT$bsalbc$gISBD 912 $a990006112510203316 951 $aXV.9.M. 2358/$bMAR$cXV.9.M. 959 $aBK 969 $aMAR 979 $aIANNONE$b90$c20160118$lUSA01$h1139 996 $aOpere di Giorgio Arcoleo$958314 997 $aUNISA LEADER 00917nam0-22002891i-450 001 990005352590403321 005 20230907090530.0 035 $a000535259 035 $aFED01000535259 035 $a(Aleph)000535259FED01 035 $a000535259 100 $a19990530d1914----km-y0itay50------ba 101 0 $aita 105 $ay-------001yy 200 1 $aSu Archita Tarantino$fMemoria letta all'Accademia Pontoniana nella tornata del 14 giugno 1914 dal socio A. Olivieri 210 $a[Napoli]$cs.e.$d[1914 ?] 215 $a15 p,$d30 cm 300 $aEstratto da "Atti dell'Accademia Pontonianan", Anno XIIV, Memoria n.10 700 1$aOlivieri,$bA.$0367350 712 0 $aAccademia Pontaniana 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990005352590403321 952 $aARCH. BM MISC. 048 (13)$bARCH. S.I.$fFLFBC 959 $aFLFBC 996 $aSu Archita Tarantino$9599147 997 $aUNINA LEADER 02779nam 2200565Ia 450 001 9910788693503321 005 20200520144314.0 010 $a1-283-62907-0 010 $a9786613941527 010 $a1-61149-411-7 035 $a(CKB)3360000000446014 035 $a(EBL)1034732 035 $a(SSID)ssj0000719946 035 $a(PQKBManifestationID)12290573 035 $a(PQKBTitleCode)TC0000719946 035 $a(PQKBWorkID)10661084 035 $a(PQKB)10948389 035 $a(MiAaPQ)EBC1034732 035 $a(Au-PeEL)EBL1034732 035 $a(CaPaEBR)ebr10607487 035 $a(CaONFJC)MIL394152 035 $a(OCoLC)845246629 035 $a(EXLCZ)993360000000446014 100 $a20120703d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAndrew Marvell's liminal lyrics$b[electronic resource] $ethe space between /$fJoan Faust 210 $aNewark $cUniversity of Delaware Press$d2012 215 $a1 online resource (247 p.) 300 $aDescription based upon print version of record. 311 $a1-61149-520-2 311 $a1-61149-410-9 320 $aIncludes bibliographical references and index. 327 $aContents; List of Illustrations; Acknowledgments; Chapter 01. Introduction; Chapter 02. The Concept of Liminality and Marvell's Liminal Life; Chapter 03. Marvell's Portrait of a Liminal Realm: "Upon Appleton House"; Chapter 04. Blending the Arts in the Act of Creation: "The Garden"; Chapter 05. In Between Life and Art: Marvell's Mower and Nymph; Chapter 06. Smoke and Mirrors: "On a Drop of Dew," "Eyes and Tears," "Mourning," and "The Gallery"; Chapter 07. In Between Concept and Understanding:"The Definition of Love"; Chapter 08. Marvell's "Soul" and "Body": The Dialogue Continues 327 $aBibliographyIndex; About the Author 330 $aThe work is an interdisciplinary study of the major lyric poems of 17th-century British metaphysical poet Andrew Marvell. It invites Marvell readers to view the poet and some of his representative lyrics in the context of the anthropological concept of liminality and the in-between aspects of experience. Utilizing multidisciplinary and multi-media contexts in a broad matrix of experience, the study would appeal to scholars in English history, English literature, early modern culture, sociology, psychology, visual arts, horticulture, lingui 606 $aLiminality in literature 615 0$aLiminality in literature. 676 $a821/.4 700 $aFaust$b Joan$f1955-$01558677 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910788693503321 996 $aAndrew Marvell's liminal lyrics$93823263 997 $aUNINA