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100   $a20120514d2012      uy             0
101 0 $aeng
135   $aurnn#---|u||u
181   $ctxt
182   $cc
183   $acr
200 14$aThe versatile needle$b[electronic resource] $eHosidius Geta's cento "Medea" and its tradition /$fby Anke Rondholz
210   $aBerlin $cDe Gruyter$d2012
215   $a1 online resource (184 p.)
225 0 $aTrends in classics.$pSupplementary volumes,$x1868-4785 ;$vv. 15
300   $aDescription based upon print version of record.
311 0 $a3-11-028381-6 
320   $aIncludes bibliographical references and indexes.
327   $tFront matter --$tContents --$tProlegomena --$tChapter 1. Origin and Development of the Cento --$tChapter 2. What is a Cento? --$tChapter 3. Hosidius Geta, Medea: an Introduction --$tChapter 4. Hosidius Geta?s Medea: Form and Technique --$tChapter 5. The Relationship Between Cento and Primary Text --$tChapter 6. Hosidius Geta?s Place in the Medea Tradition --$tBibliography --$tGeneral Index --$tIndex of Vergilian Lines Used in the Cento
330   $aThe cento-tragedy Medea usually attributed to Hosidius Geta was transmitted in the Codex Salmasianus (now Codex Parisinus 10318). This is a comprehensive study and reevaluation of the text against the background of the ancient cento tradition, also providing a new English translation. After developing a new definition of the ancient conception of the cento in general, Geta?s cento technique and his use of the Vergilian text as well as his relation to the Greek and Roman models for his Medea are examined. It is shown that his play is innovative and sophisticated in both technique and content.
410  0$aTrends in Classics - Supplementary Volumes
606   $aLatin literature$xHistory and criticism
610   $aCento.
610   $aHosidius Geta.
610   $aIntertextuality.
610   $aMedea.
615  0$aLatin literature$xHistory and criticism.
676   $a871/.01
700   $aRondholz$b Anke$01558658
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801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910788689903321
996   $aThe versatile needle$93823232
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