LEADER 05648nam 2200865 a 450 001 9910788682003321 005 20230717234041.0 010 $a1-283-89856-X 010 $a0-8122-0743-2 024 7 $a10.9783/9780812207439 035 $a(CKB)3240000000065401 035 $a(OCoLC)741874060 035 $a(CaPaEBR)ebrary10642160 035 $a(SSID)ssj0000667903 035 $a(PQKBManifestationID)11379037 035 $a(PQKBTitleCode)TC0000667903 035 $a(PQKBWorkID)10697843 035 $a(PQKB)10386152 035 $a(OCoLC)794700790 035 $a(MdBmJHUP)muse18425 035 $a(DE-B1597)449523 035 $a(OCoLC)1013957120 035 $a(OCoLC)1037980099 035 $a(OCoLC)1041991176 035 $a(OCoLC)1046607214 035 $a(OCoLC)1047005860 035 $a(OCoLC)1049631329 035 $a(OCoLC)1054866746 035 $a(OCoLC)889242153 035 $a(OCoLC)979628231 035 $a(DE-B1597)9780812207439 035 $a(Au-PeEL)EBL3441825 035 $a(CaPaEBR)ebr10642160 035 $a(CaONFJC)MIL421106 035 $a(MiAaPQ)EBC3441825 035 $a(EXLCZ)993240000000065401 100 $a20050607h20062006 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aPeasant scenes and landscapes $ethe rise of pictorial genres in the Antwerp art market /$fLarry Silver 210 1$aPhiladelphia :$cUniversity of Pennsylvania Press,$d2006. 210 4$aŠ2006 215 $a1 online resource (xvii, 373 pages) $cillustrations 300 $aBibliographic Level Mode of Issuance: Monograph 311 0 $a0-8122-2211-3 320 $aIncludes bibliographical references (p. 317-351) and index. 327 $aIntroduction: "Cultural selection" and the origins of pictorial species. -- Antwerp as a cultural system. -- Town and country: painted worlds of early landscapes. -- Money matters. -- Kitchens and markets. -- Labor and leisure: the peasant. -- Second Bosch: family resemblance and the marketing of art. -- Descent from Bruegel I: from Flanders to Holland. -- Descent from Bruegel II: Flemish friends and family. -- Trickle-down genres: the "curious" cases of flowers and seascapes. -- Conclusions: Value and values in the capital of capitalism. 330 $aModern viewers take for granted the pictorial conventions present in easel paintings and engraved prints of such subjects as landscapes or peasants. These generic subjects and their representational conventions, however, have their own origins and early histories. In sixteenth-century Antwerp, painting and the emerging new medium of engraving began to depart from traditional visual culture, which had been defined primarily by wall paintings, altarpieces, and portraits of the elite. New genres and new media arose simultaneously in this volatile commercial and financial capital of Europe, home to the first open art market near the city Bourse. The new pictorial subjects emerged first as hybrid images, dominated by religious themes but also including elements that later became pictorial categories in their own right: landscapes, food markets, peasants at work and play, and still-life compositions. In addition to being the place of the origin and evolution of these genres, the Antwerp art market gave rise to the concept of artistic identity, in which favorite forms and favorite themes by an individual artist gained consumer recognition.In Peasant Scenes and Landscapes, Larry Silver examines the emergence of pictorial kinds-scenes of taverns and markets, landscapes and peasants-and charts their evolution as genres from initial hybrids to more conventionalized artistic formulas. The relationship of these new genres and their favorite themes reflect a burgeoning urbanism and capitalism in Antwerp, and Silver analyzes how pictorial genres and the Antwerp marketplace fostered the development of what has come to be known as "signature" artistic style. By examining Bosch and Bruegel, together with their imitators, he focuses on pictorial innovation as well as the marketing of individual styles, attending particularly to the growing practice of artists signing their works. In addition, he argues that consumer interest in the style of individual artists reinforced another phenomenon of the later sixteenth century: art collecting. While today we take such typical artistic formulas as commonplace, along with their frequent use of identifying signatures (a Rothko, a Pollock), Peasant Scenes and Landscapes shows how these developed simultaneously in the commercial world of early modern Antwerp. 606 $aGenre painting, Flemish$zBelgium$zAntwerp$y16th century 606 $aLandscape painting, Flemish$zBelgium$zAntwerp$y16th century 606 $aArt$xEconomic aspects$zBelgium$zAntwerp$xHistory$y16th century 606 $aArt and society$zBelgium$zAntwerp$xHistory$y16th century 610 $aArchitecture. 610 $aEuropean History. 610 $aFine Art. 610 $aGarden History. 610 $aHistory. 610 $aMedieval and Renaissance Studies. 610 $aWorld History. 615 0$aGenre painting, Flemish 615 0$aLandscape painting, Flemish 615 0$aArt$xEconomic aspects$xHistory 615 0$aArt and society$xHistory 676 $a381/.45754/0949322209031 700 $aSilver$b Larry$f1947-$0772267 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910788682003321 996 $aPeasant scenes and landscapes$93720895 997 $aUNINA