LEADER 03614nam 2200721 a 450 001 9910788677803321 005 20230915184711.0 010 $a0-253-00699-6 035 $a(CKB)3240000000065259 035 $a(EBL)1183991 035 $a(SSID)ssj0000938540 035 $a(PQKBManifestationID)11504836 035 $a(PQKBTitleCode)TC0000938540 035 $a(PQKBWorkID)10920084 035 $a(PQKB)11510664 035 $a(OCoLC)845254602 035 $a(MdBmJHUP)muse18233 035 $a(Au-PeEL)EBL1183991 035 $a(CaPaEBR)ebr10692211 035 $a(CaONFJC)MIL484772 035 $a(MiAaPQ)EBC1183991 035 $a(EXLCZ)993240000000065259 100 $a20130318d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2content 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aAfrican art, interviews, narratives$b[electronic resource] $ebodies of knowledge at work /$fedited by Joanna Grabski and Carol Magee 210 1$aBloomington, Indiana :$cIndiana University Press,$d2013. 215 $a1 online resource (207 pages) 225 1 $aAfrican Expressive Cultures. 300 $aDescription based upon print version of record. 311 $a0-253-00691-0 311 $a0-253-00687-2 320 $aIncludes bibliographical references and index. 327 $aCover; Title Page; Copyright Page; Dedication Page; Table of Contents; Acknowledgments; Introduction: The Work of Interviews; 1. Talking to People about Art; 2. Ghostly Stories: Interviews with Artists in Dakar and the Productive Space around Absence; 3. Can the Artist Speak?: Hamid Kachmar's Subversive Redemptive Art of Resistance; 4. Photography, Narrative Interventions, and (Cross) Cultural Representations; 5. Narrating the Artist: Seyni Camara and the Multiple Constructions of the Artistic Persona; 6. Interview: Akinbode Akinbiyi 327 $a7. Interweaving Narratives of Art and Activism: Sandra Kriel's Heroic Women8. Politics of Narrative at the African Burial Ground in New York City: The Final Monument; 9. Who Owns the Past?: Constructing an Art History of a Malian Masquerade; 10. Framing Practices: Artists' Voices and the Power of Self-Representation; 11. Undisciplined Knowledge; Appendix: Interlocutors; Contributors; Index 330 $aJoanna Grabski and Carol Magee bring together a compelling collection that shows how interviews can be used to generate new meaning and how connecting with artists and their work can transform artistic production into innovative critical insights and knowledge. The contributors to this volume include artists, museum curators, art historians, and anthropologists, who address artistic production in a variety of locations and media to question previous uses of interview and provoke alternative understandings of art. 410 0$aAfrican Expressive Cultures 606 $aArt, African 606 $aArtists$vInterviews 606 $aArt museum curators$vInterviews 606 $aArt historians$vInterviews 606 $aAnthropologists$vInterviews 607 $aAfrica$2fast 607 $aAfrika$2gnd 607 $aAfrika$2gnd 615 0$aArt, African. 615 0$aArtists 615 0$aArt museum curators 615 0$aArt historians 615 0$aAnthropologists 676 $a709.6 701 $aGrabski$b Joanna$01516267 701 $aMagee$b Carol L$01516268 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910788677803321 996 $aAfrican art, interviews, narratives$93752620 997 $aUNINA