LEADER 03753nam  2200925 a 450 
001 9910788626603321
005 20200520144314.0
010   $a1-84779-640-0
010   $a1-78170-193-8
010   $a1-84779-363-0
024 7 $a10.7765/9781847793638
035   $a(CKB)3280000000001202
035   $a(EBL)1069690
035   $a(OCoLC)818847481
035   $a(SSID)ssj0000712864
035   $a(PQKBManifestationID)12315628
035   $a(PQKBTitleCode)TC0000712864
035   $a(PQKBWorkID)10651484
035   $a(PQKB)10741015
035   $a(StDuBDS)EDZ0000086847
035   $a(OCoLC)1132662806
035   $a(MdBmJHUP)muse78068
035   $a(Au-PeEL)EBL1069690
035   $a(CaPaEBR)ebr10627272
035   $a(CaONFJC)MIL843694
035   $a(MiAaPQ)EBC1069690
035   $a(DE-B1597)660848
035   $a(DE-B1597)9781847793638
035   $a(EXLCZ)993280000000001202
100   $a20070719d2006      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aTreading the bawds$b[electronic resource] $eactresses and playwrights on the late-Stuart stage /$fGilli Bush-Bailey
210   $aManchester [U.K.] ;$aNew York $cManchester University Press ;$aNew York $cDistributed exclusively in the USA by Palgrave$d2006
215   $a1 online resource (234 p.)
225 0 $aWomen, Theatre and Performance
225  0$aWomen, theatre and performance
300   $aDescription based upon print version of record.
311   $a0-7190-7251-4 
311   $a0-7190-7250-6 
320   $aIncludes bibliographical references and index.
327   $apt. 1. Background -- pt. 2. The players' company at Lincoln's Inn Fields.
330   $aDrawing on feminist cultural materialist theories and historiographies, 'Treading the bawds' analyses the collaboration between actresses Elizabeth Barry and Anne Bracegirdle and women playwrights such as Aphra Behn and Mary Pix, and traces a line of influence from the time of the first theatres royal to the rebellion that resulted in the creation of a player's co-operative. Bush-Bailey offers a fresh approach to the history of women, seeing their neglected plays in the context of performance. By combining detailed analysis of selected plays within the broader context of a playhouse managed by
410  0$aWomen, Theatre and Performance
606   $aWomen in the theater$zEngland$xHistory$y17th century
606   $aWomen in the theater$zEngland$xHistory$y18th century
606   $aEnglish drama$yRestoration, 1660-1700$xHistory and criticism
606   $aEnglish drama$y18th century$xHistory and criticism
606   $aEnglish drama$xWomen authors$xHistory and criticism
606   $aTheater$zEngland$xHistory$y17th century
606   $aTheater$zEngland$xHistory$y18th century
610   $aAnne Bracegirdle.
610   $aAphra Behn.
610   $aAriadne.
610   $aElizabeth Barry.
610   $aMary Pix.
610   $aWilliam Congreve.
610   $abusiness of theatre.
610   $afemale playwright.
610   $ahistory of women.
610   $aplayhouse.
615  0$aWomen in the theater$xHistory
615  0$aWomen in the theater$xHistory
615  0$aEnglish drama$xHistory and criticism.
615  0$aEnglish drama$xHistory and criticism.
615  0$aEnglish drama$xWomen authors$xHistory and criticism.
615  0$aTheater$xHistory
615  0$aTheater$xHistory
676   $a822.4
700   $aBush-Bailey$b Gilli$01510491
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910788626603321
996   $aTreading the bawds$93743184
997   $aUNINA