LEADER 01020nam--2200373---450 001 990001985220203316 005 20210126163448.0 035 $a000198522 035 $aUSA01000198522 035 $a(ALEPH)000198522USA01 035 $a000198522 100 $a20040906d1963----km-y0itay0103----ba 101 $aita 102 $aIT 105 $a||||||||001yy 200 1 $aRobert Frost$fLawrance Thompson 210 $aMilano$cMursia$d1963 215 $a70 p.$d20 cm 300 $aTrad. e aggiornamneto bibliografico di Anna Maria De Dominicis 410 0$12001 454 1$12001 461 1$1001-------$12001 600 $aFrost,$bRobert 676 $a811.5 700 1$aTHOMPSON,$bLawrance$0445544 801 0$bsalbc$gISBD 912 $a990001985220203316 951 $aVII.4.B. 93 (II i B coll 15/3)$b13061 L.M.$cII i 959 $aBK 969 $aUMA 979 $aSIAV7$b10$c20040906$lUSA01$h1841 979 $aCOPAT5$b90$c20050714$lUSA01$h1437 996 $aRobert Frost$91764671 997 $aUNISA LEADER 03392nam 2200757Ia 450 001 9910788543003321 005 20230725045907.0 010 $a1-283-24076-9 010 $a9786613240767 010 $a1-4438-3118-2 035 $a(CKB)3360000000431859 035 $a(EBL)1107035 035 $a(OCoLC)748534205 035 $a(SSID)ssj0000649194 035 $a(PQKBManifestationID)12200437 035 $a(PQKBTitleCode)TC0000649194 035 $a(PQKBWorkID)10609686 035 $a(PQKB)10410749 035 $a(MiAaPQ)EBC1107035 035 $a(Au-PeEL)EBL1107035 035 $a(CaPaEBR)ebr10642786 035 $a(CaONFJC)MIL324076 035 $a(OCoLC)707460506 035 $a(FINmELB)ELB145160 035 $a(EXLCZ)993360000000431859 100 $a20110818d2011 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aLooking through gender$b[electronic resource] $epost-1980 British and Irish drama /$fby Samuele Grassi 210 $aNewcastle upon Tyne $cCambridge Scholars$d2011 215 $a1 online resource (223 p.) 300 $aDescription based upon print version of record. 311 $a1-4438-2873-4 320 $aIncludes bibliographical references (p. [191]-208) and index. 327 $aCONTENTS; ACKNOWLEDGEMENTS; PART I; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; PART II; CHAPTER FOUR; CHAPTER FIVE; CHAPTER SIX; PART III; CHAPTER SEVEN; CHAPTER EIGHT; CHAPTER NINE; CHAPTER TEN; CHAPTER ELEVEN; AFTERWORD; REFERENCES; INDEX 330 $aThis contribution to Theatre Studies explores the shaping and performing of gender identity in British and Irish theatres since the 1980's. It highlights contact zones, conflict areas, and divergencies between the two theatre contexts with reference to historic, socio-political, and cultural clusters. Largely from a queer theory standpoint, this book reads several plays in their attempt to unmask exploiting mechanisms of sexuality and gender regulation. It focuses on alternative notions of soc... 606 $aGender identity in the theater$zGreat Britain$xHistory$y20th century 606 $aGender identity in the theater$zIreland$xHistory$y20th century 606 $aFeminism and theater$zGreat Britain$xHistory$y20th century 606 $aFeminism and theater$zIreland$xHistory$y20th century 606 $aHomosexuality in the theater$zGreat Britain$xHistory$y20th century 606 $aHomosexuality in the theater$zIreland$xHistory$y20th century 606 $aTheater and society$zGreat Britain$xHistory$y20th century 606 $aTheater and society$zIreland$xHistory$y20th century 607 $aEnglisch$2swd 615 0$aGender identity in the theater$xHistory 615 0$aGender identity in the theater$xHistory 615 0$aFeminism and theater$xHistory 615 0$aFeminism and theater$xHistory 615 0$aHomosexuality in the theater$xHistory 615 0$aHomosexuality in the theater$xHistory 615 0$aTheater and society$xHistory 615 0$aTheater and society$xHistory 676 $a792.0820941 686 $aHN 1261$2rvk 700 $aGrassi$b Samuele$f1980-$01509849 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910788543003321 996 $aLooking through gender$93742025 997 $aUNINA