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100   $a20110404d2011      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 15$aThe "I" and the "eye" $ethe verbal and the visual in post-renaissance Western aesthetics /$fPragyan Rath
210  1$aNewcastle upon Tyne :$cCambridge Scholars,$d2011.
215   $a1 online resource (308 pages)
300   $aDescription based upon print version of record.
311 0 $a1-4438-2924-2 
320   $aIncludes bibliographical references (p. [254]-268) and index.
327   $aTABLE OF CONTENTS; LIST OF FIGURES; EXECUTIVE SUMMARY; PREFACE; ACKNOWLEDGEMENTS; INTRODUCTION; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; CHAPTER FOUR; EPILOGUE; NOTES; APPENDICES; BIBLIOGRAPHY; INDEX
330   $aThe paradigmatic moment of the opposition between the verbal and the visual arts may be seen in Lessing's treatise on the Laocoo?n sculptural group, written in 1766; a moment that is identified within a historical framework of modern aesthetics that begins
517 3 $aVerbal and the visual in post-renaissance Western aesthetics
606   $aAesthetics
606   $aArts$xPhilosophy
615  0$aAesthetics.
615  0$aArts$xPhilosophy.
676   $a111.85
686   $a5,1$2ssgn
686   $aCC 6900$2rvk
700   $aRath$b Pragyan$01509819
801  0$bMiAaPQ
801  1$bMiAaPQ
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906   $aBOOK
912   $a9910788539603321
996   $aThe "I" and the "eye"$93741993
997   $aUNINA