LEADER 03427nam 2200613Ia 450 001 9910788534503321 005 20230802002919.0 010 $a1-283-63110-5 010 $a9786613943552 010 $a0-8032-4462-2 035 $a(CKB)3360000000435682 035 $a(EBL)1034960 035 $a(OCoLC)818815257 035 $a(SSID)ssj0000756935 035 $a(PQKBManifestationID)11413933 035 $a(PQKBTitleCode)TC0000756935 035 $a(PQKBWorkID)10754691 035 $a(PQKB)10319419 035 $a(MiAaPQ)EBC1034960 035 $a(OCoLC)814065960 035 $a(MdBmJHUP)muse19590 035 $a(Au-PeEL)EBL1034960 035 $a(CaPaEBR)ebr10608348 035 $a(CaONFJC)MIL394355 035 $a(EXLCZ)993360000000435682 100 $a20120711d2012 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aSmoke signals$b[electronic resource] $enative cinema rising /$fJoanna Hearne 210 $aLincoln $cUniversity of Nebraska Press$d2012 215 $a1 online resource (xxxiv, 242 pages) $cillustrations 225 0 $aIndigenous films 300 $aDescription based upon print version of record. 311 $a0-8032-1927-X 320 $aIncludes bibliographical references and index. 327 $a"Indians Watching Indians" -- "The Storyteller Is Part of the Story" -- "Dances with Salmon" -- "Take Your Dad's Pickup" -- Conclusion -- Appendix -- Notes -- Bibliography -- YouTube Videography -- Index. 330 $a"Smoke Signals is a historical milestone in Native American filmmaking. Released in 1998 and based on a short-story collection by Sherman Alexie, it was the first wide-release feature film written, directed, coproduced, and acted by Native Americans. The most popular Native American film of all time, Smoke Signals is also an innovative work of cinematic storytelling that demands sustained critical attention in its own right. Embedded in Smoke Signals's universal story of familial loss and renewal are uniquely Indigenous perspectives about political sovereignty, Hollywood's long history of misrepresentation, and the rise of Indigenous cinema across the twentieth and twenty-first centuries. Joanna Hearne's work foregrounds the voices of the filmmakers and performers--in interviews with Alexie and director Chris Eyre, among others--to explore the film's audiovisual and narrative strategies for speaking to multiple audiences. In particular, Hearne examines the filmmakers' appropriation of mainstream American popular culture forms to tell a Native story. Focusing in turn on the production and reception of the film and issues of performance, authenticity, social justice, and environmental history within the film's text and context, this in-depth introduction and analysis expands our understanding and deepens our enjoyment of a Native cinema landmark. "--$cProvided by publisher. 606 $aIndians in motion pictures 606 $aIndigenous films$zUnited States 615 0$aIndians in motion pictures. 615 0$aIndigenous films 676 $a791.43/72 686 $aPER004030$aSOC021000$2bisacsh 700 $aHearne$b Joanna$01493964 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910788534503321 996 $aSmoke signals$93717248 997 $aUNINA