LEADER 05482nam 22005171 450 001 9910788457403321 005 20230725045345.0 010 $a1-4214-0360-9 035 $a(CKB)3240000000065042 035 $a(CaPaEBR)ebrary10790455 035 $a(SSID)ssj0000606403 035 $a(PQKBManifestationID)11391756 035 $a(PQKBTitleCode)TC0000606403 035 $a(PQKBWorkID)10596527 035 $a(PQKB)11453453 035 $a(MiAaPQ)EBC3318742 035 $a(OCoLC)798295734 035 $a(MdBmJHUP)muse789 035 $a(Au-PeEL)EBL3318742 035 $a(CaPaEBR)ebr10790455 035 $a(OCoLC)923196770 035 $a(EXLCZ)993240000000065042 100 $a20110203d2011 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aHart Crane's poetry $e"Appollinaire lived in Paris, I live in Cleveland, Ohio" /$fJohn T. Irwin 210 1$aBaltimore :$cJohns Hopkins University Press,$d2011. 215 $a1 online resource (439 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a1-4214-0221-1 320 $aIncludes bibliographical references and index. 327 $aMachine generated contents note: pt. One The Bridge -- ?? 1 The Pictorial and the Poetic; The Bridge as a Prophetic Vision of Origins -- ?? 2 The Visual Structure of Prophetic Vision; a Simultaneous Glimpse Before and Behind -- ?? 3 Spengler's Reading of Perspective as a Culture-Symbol -- ?? 4 The Bridge and the Paintings in the Sistine Chapel; Moses and Jesus: Columbus and Whitman; Joseph Stella; El Greco's Agony in the Garden; the Grail; Dionysus and Jesus -- ?? 5 Counterpoint in The Bridge -- ?? 6 Foreshadowing and Lateral Foreshadowing; the Grail Quest; Eliot's The Waste Land -- ?? 7 The Return to Origin; the Total Return to the Womb; the Primal Scene; Vision and Invisibility; the Dual Identification -- ?? 8 The Reversal of the Figures of Father and Mother in "Indiana"; Crane's Dream of the Black Man by the River; Crane's Quarrel with His Father; the Composition of "Black Tambourine" -- ?? 9 Crane's Dream of His Mother's Trunk in the Attic -- ?? 10 Fantasies of Return to the Womb and the Primal Scene; Three Dimensions Reduced to Two as a Sign of Body Transcendence; the Triple Archetype; Goethe's Faust; Plato's Cave Allegory as a Sublimated Womb Fantasy; Helen as Mother; the Influence of Williams and Nietzsche; Demeter, Kore, and the Amerindian Corn [ect.] -- ?? 11 Building the Virgin; Crane's "To Liberty"; Lazarus's "The New Colossus"; Helen and Psyche; Astraea and the Constellation Virgo; Demeter and Kore; the Virgin Mary and Queen Elizabeth I -- ?? 12 The Education of Henry Adams; Arnold's "Stanzas from the Grande Chartreuse"; Wandering between Two Worlds; Seneca's Medea; Whitman and the Rebound Seed -- ?? 13 "Three Songs"; Golden Hair; "Quaker Hill" and the Motherly Artist; the Return of the Golden Age; Astraea and Atlantis -- ?? 14 Epic Predecessors: Aeneas and Dido; Survival through a Part-Object; Stellar Translation and the Golden-Haired Grain -- ?? 15 The Historical Pocahontas and the Mythical Quetzalcoatl; Prescott, Spence, and D. H. Lawrence as Influences on The Bridge, Waldo Frank's Our America and the Image of Submergence -- ?? 16 Nietzsche and the Return of the Old Gods; Zarathustra and Quetzalcoatl; the Eagle and the Serpent; the Dance -- ?? 17 The Aeneid, Book 6, and "The Tunnel"; "Cutty Sark" and Glaucus in Ovid; Burns's "Tam of Shanter"; Glaucus in Keats's Endymion -- ?? 18 Time and Eternity in "Cutty Sark"; Stamboul Rose, Atlantis Rose, and Dante's Rose; Moby-Dick and "Cutty Sark" -- ?? 19 The Historical Cutty Sark; Hero and Leander; Jason and the Argo; Dante and the Argo -- ?? 20 Constellations and The Bridge -- ?? 21 Constellations Continued; Panis Angelicus -- ?? 22 Time and Eternity; Temporal Narrative and Spatial Configuration; the Bridge as Memory Place; "Atlantis"; One Arc Synoptic of All Times -- ?? 23 "Atlantis" and the Image of Flight; Shelley's "To a Skylark"; Pater and the Tears of Dionysus -- ?? 24 Love and Light; Love-as-Bridgeship; Pater and Botticelli's Venus; Venus and the Rainbow; Foam-Born; Pyramids and Fire; From Ritual to Romance, Venus and Adonis -- ?? 25 Three Structures; the Visualization of the Womb Fantasy in The Last Judgement; the Transumptive Relationship -- ?? 26 Michelangelo's Self-Portrait; Marsyas and the Suffering Artist -- pt. Two White Buildings and "The Broken Tower" -- ?? 1 "Legend," "Black Tambourine," "Emblems of Conduct," "My Grandmother's Love Letters," "Sunday Morning Apples" -- ?? 2 "Praise for an Urn," "Garden Abstract," "Stark Major," "Chaplinesque" -- ?? 3 "Pastorale," "In Shadow," "The Fernery," "North Labrador" -- ?? 4 "Repose of Rivers," "Paraphrase," "Possessions" -- ?? 5 "Lachrymae Christi" -- ?? 6 "Passage" -- ?? 7 "The Wine Menagerie," "Recitative" -- ?? 8 "For the Marriage of Faustus and Helen" -- ?? 9 "At Melville's Tomb," "Voyages I, II, III" -- ?? 10 "Voyages IV, V, VI" -- ?? 11 "The Broken Tower". 606 $aAmerican poetry$y20th century 615 0$aAmerican poetry 676 $a811/.52 700 $aIrwin$b John T$0456676 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910788457403321 996 $aHart Crane's poetry$93792512 997 $aUNINA