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010   $a1-4438-2627-8
010   $a9786613141972
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100   $a20110209d2010      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 00$aContemporary Southeast Asian performance$b[electronic resource] $etransnational perspectives /$fedited by Laura Noszlopy and Matthew Isaac Cohen
210   $aNewcastle upon Tyne $cCambridge Scholars Publishing$d2010
215   $a1 online resource (212 p.)
300   $aDescription based upon print version of record.
311   $a1-4438-2575-1 
320   $aIncludes bibliographical references and index.
327   $aTABLE OF CONTENTS; INTRODUCTION; CREATIVITY AND CROSS-CULTURAL COLLABORATION; TRANSNATIONAL AESTHETICS AND BALINESE MUSIC; CAMBODIA'S TRIALS; 'MY DOG GIRL'; 'I AM CULTURES'; NAMELESS, SEXLESS, ROOTLESS, HOMELESS; DEDICATION TO MARI NABESHIMA (1972-2010); ADDITIONAL TRANSNATIONAL PERSPECTIVES ON SOUTHEAST ASIAN PERFORMANCE; CONTRIBUTORS; INDEX
330   $aMutual borrowing, fluid transactions and transformations of performances and performers have a long and enduring history in Southeast Asia, but this trend has been heightened and made more vivid in the contemporary period. The omnipresence of global communications has provoked and inspired yet more novel experiments and collaborations between cosmopolitan artists and globally-oriented performers. This volume offers vital insights into recent developments in Southeast Asian performance. It dem...
606   $aPerforming arts$zSoutheast Asia
606   $aTheater$zSoutheast Asia
615  0$aPerforming arts
615  0$aTheater
676   $a792.0959
701   $aNoszlopy$b Laura$01560138
701   $aCohen$b Matthew Isaac$01560139
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910788433803321
996   $aContemporary Southeast Asian performance$93825839
997   $aUNINA