LEADER 03593nam 2200673Ia 450 001 9910788426703321 005 20230721050452.0 010 $a3-11-091393-3 024 7 $a10.1515/9783110913934 035 $a(CKB)3360000000338535 035 $a(OCoLC)811406208 035 $a(CaPaEBR)ebrary10597332 035 $a(SSID)ssj0000713679 035 $a(PQKBManifestationID)12349132 035 $a(PQKBTitleCode)TC0000713679 035 $a(PQKBWorkID)10657958 035 $a(PQKB)11404397 035 $a(MiAaPQ)EBC894109 035 $a(DE-B1597)56981 035 $a(OCoLC)840440256 035 $a(OCoLC)948656456 035 $a(DE-B1597)9783110913934 035 $a(Au-PeEL)EBL894109 035 $a(CaPaEBR)ebr10597332 035 $a(EXLCZ)993360000000338535 100 $a20070608d2007 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aSites of the uncanny$b[electronic resource] $ePaul Celan, specularity and the visual arts /$fEric Kligerman 210 $aBerlin ;$aNew York $cWalter de Gruyter$dc2007 215 $a1 online resource (344 p.) 225 0 $aInterdisciplinary German cultural studies ;$vv. 3 300 $aBibliographic Level Mode of Issuance: Monograph 311 0 $a3-11-019135-0 320 $aIncludes bibliographical references (p. [313]-325) and index. 327 $tFront matter --$tTable of Contents --$tAcknowledgments --$tList of Illustrations --$tIntroduction: Facing the Holocaust --$tChapter 1. Specular Disruptions-The Sublime, the Uncanny, and Empathic Identification --$tChapter 2. Catastrophe and the Uncanny in Heidegger's Fetishized Narrative --$tChapter 3. Broken Meridians-From Heidegger's Pathway to Celan's Judengasse --$tChapter 4. Celan's Cinematic: Anxiety of the Gaze in Nuit et Brouillard and "Engführung" --$tChapter 5. Re-Figuring Celan in the Paintings of Anselm Kiefer --$tChapter 6. Ghostly Demarcations-Translating Paul Celan's Poetics in Daniel Libeskind's Architectural Space --$tConclusion. Mnemosyne and the Ruins of History --$tBibliography --$tIndex of Names 330 $aSites of the Uncanny: Paul Celan, Specularity and the Visual Arts is the first book-length study that examines Celan's impact on visual culture. Exploring poetry's relation to film, painting and architecture, this study tracks the transformation of Celan in postwar German culture and shows the extent to which his poetics accompany the country's memory politics after the Holocaust. The book posits a new theoretical model of the Holocaustal uncanny - evolving out of a crossing between Celan, Freud, Heidegger and Levinas - that provides a map for entering other modes of Holocaust representations. After probing Celan's critique of the uncanny in Heidegger, this study shifts to the translation of Celan's uncanny poetics in Resnais' film Night and Fog, Kiefer's art and Libeskind's architecture. 606 $aPopular culture$zGermany 606 $aHolocaust, Jewish (1939-1945), and the arts 606 $aCollective memory$zGermany 610 $aComparative Literature. 610 $aGerman Literature. 610 $aJewish Studies. 615 0$aPopular culture 615 0$aHolocaust, Jewish (1939-1945), and the arts. 615 0$aCollective memory 676 $a831.914 686 $aGN 3728$2rvk 700 $aKligerman$b Eric$01559972 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910788426703321 996 $aSites of the uncanny$93825583 997 $aUNINA