LEADER 04115nam 2200793Ia 450 001 9910788354103321 005 20230227180740.0 010 $a0-8122-2270-9 010 $a1-283-89103-4 010 $a0-8122-0009-8 024 7 $a10.9783/9780812200096 035 $a(CKB)3170000000046878 035 $a(OCoLC)794700608 035 $a(CaPaEBR)ebrary10576074 035 $a(SSID)ssj0000811609 035 $a(PQKBManifestationID)12375446 035 $a(PQKBTitleCode)TC0000811609 035 $a(PQKBWorkID)10851393 035 $a(PQKB)10267723 035 $a(SSID)ssj0000606031 035 $a(PQKBManifestationID)11391736 035 $a(PQKBTitleCode)TC0000606031 035 $a(PQKBWorkID)10580155 035 $a(PQKB)11016300 035 $a(MdBmJHUP)muse8328 035 $a(DE-B1597)449379 035 $a(OCoLC)1013955488 035 $a(OCoLC)979576561 035 $a(DE-B1597)9780812200096 035 $a(Au-PeEL)EBL3441634 035 $a(CaPaEBR)ebr10576074 035 $a(CaONFJC)MIL420353 035 $a(MiAaPQ)EBC3441634 035 $a(EXLCZ)993170000000046878 100 $a20100211d2010 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aPigeon trouble $ebestiary biopolitics in a deindustrialized America /$fHoon Song 210 $aPhiladelphia $cUniversity of Pennsylvania Press$dc2010 215 $a1 online resource (269 pages) 300 $aBibliographic Level Mode of Issuance: Monograph 311 0 $a0-8122-4242-4 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tIntroduction --$tChapter One. Cruelty through Glassy Eyes --$tChapter Two. Gloved Love --$tChapter Three. Hooliganism --$tChapter Four. Pests and Outcasts --$tChapter Five. Mimesis and Conspiracy Theory --$tChapter Six. Representationalism's Animal Other --$tChapter Seven. The Line of Flight, Out of Bird Phobia --$tConclusion. Self-Reflexivity and Finite Thinking --$tNotes --$tReferences --$tIndex --$tAcknowledgments 330 $aPigeon Trouble chronicles a foreign-born, birdphobic anthropologist's venture into the occult craft of pigeon shooting in the depths of Pennsylvania's anthracite coal country. Though initially drawn by a widely publicized antipigeon shoot protest by animal rights activists, the author quickly finds himself traversing into a territory much stranger than clashing worldviews-an uncanny world saturated with pigeon matters, both figuratively and literally. What transpires is a sustained meditation on self-reflexivity as the author teeters at the limit of his investigation-his own fear of birds. The result is an intimate portrayal of the miners' world of conspiracy theory, anti-Semitism, and whiteness, all inscribed one way or another by pigeon matters, and seen through the anguished eyes of a birdphobe. This bestiary experiment through a phobic gaze concludes with a critique on the visual trope in anthropology's self-reflexive turn. An ethnographer with a taste for philosophy, Song writes in a distinctive descriptive and analytical style, obsessed with his locale and its inhabitants, constantly monitoring his own reactions and his impact on others, but always teasing out larger implications to his subject. 606 $aAnimal rights activists$zPennsylvania 606 $aPigeon shooting$xMoral and ethical aspects$zPennsylvania 606 $aPigeon shooting$xPolitical aspects$zPennsylvania 610 $aAmerican History. 610 $aAmerican Studies. 610 $aAnthropology. 610 $aFolklore. 610 $aLinguistics. 615 0$aAnimal rights activists 615 0$aPigeon shooting$xMoral and ethical aspects 615 0$aPigeon shooting$xPolitical aspects 676 $a179/.3 686 $aCC 7266$qSEPA$2rvk 700 $aSong$b Hoon$01491251 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910788354103321 996 $aPigeon trouble$93713016 997 $aUNINA