LEADER 00860nam0-22002771i-450- 001 990005275820403321 005 20070622130331.0 035 $a000527582 035 $aFED01000527582 035 $a(Aleph)000527582FED01 035 $a000527582 100 $a19990604d1964----km-y0itay50------ba 101 0 $ager 105 $ay-------001yy 200 1 $aTheologie der Verheissung$eStudien zur theologischen Entwicklung des jungen Melanchthon (1519-1524)$fvon Ernst Bizer 210 $aNeukirchen-Vluyn$cNeukirchener Verl. des Erziehungsvereines$dc.1964 215 $a320 p.$d22 cm 676 $a230.044 700 1$aBizer,$bErnest$0397208 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990005275820403321 952 $a230.044 BIZ 1$bST.REL. 1453$fFLFBC 959 $aFLFBC 996 $aTheologie der Verheissung$9538771 997 $aUNINA LEADER 03623nam 2200649Ia 450 001 9910788315703321 005 20200520144314.0 010 $a0-292-74889-2 010 $a0-292-74460-9 024 7 $a10.7560/722958 035 $a(CKB)3170000000060194 035 $a(EBL)3443666 035 $a(SSID)ssj0000871346 035 $a(PQKBManifestationID)11442282 035 $a(PQKBTitleCode)TC0000871346 035 $a(PQKBWorkID)10822987 035 $a(PQKB)11653377 035 $a(OCoLC)858700807 035 $a(MdBmJHUP)muse25093 035 $a(Au-PeEL)EBL3443666 035 $a(CaPaEBR)ebr10689940 035 $a(OCoLC)932314397 035 $a(Au-PeEL)EBL7171726 035 $a(MiAaPQ)EBC3443666 035 $a(MiAaPQ)EBC7171726 035 $a(OCoLC)1382696679 035 $a(DE-B1597)587771 035 $a(DE-B1597)9780292744608 035 $a(EXLCZ)993170000000060194 100 $a20121116d2013 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aDavid Lynch swerves$b[electronic resource] $euncertainty from Lost highway to Inland empire /$fby Martha P. Nochimson 205 $a1st ed. 210 $aAustin $cUniversity of Texas$d2013 215 $a1 online resource (296 p.) 300 $aDescription based upon print version of record. 311 $a0-292-72295-8 320 $aIncludes bibliographical references (p. 251-254) and index. 320 $aIncludes filmography. 327 $aLost highway: "you'll never have me" -- The straight story: "and you'll find happy times" -- Mulholland Dr.: an improbable girl in a probable world -- Inland empire: the beginnings of great things. 330 $aBeginning with Lost Highway, director David Lynch ?swerved? in a new direction, one in which very disorienting images of the physical world take center stage in his films. Seeking to understand this unusual emphasis in his work, noted Lynch scholar Martha Nochimson engaged Lynch in a long conversation of unprecedented openness, during which he shared his vision of the physical world as an uncertain place that masks important universal realities. He described how he derives this vision from the Holy Vedas of the Hindu religion, as well as from his layman?s fascination with modern physics. With this deep insight, Nochimson forges a startlingly original template for analyzing Lynch?s later films?the seemingly unlikely combination of the spiritual landscape envisioned in the Holy Vedas and the material landscape evoked by quantum mechanics and relativity. In David Lynch Swerves, Nochimson navigates the complexities of Lost Highway, The Straight Story, Mulholland Drive, and Inland Empire with uncanny skill, shedding light on the beauty of their organic compositions; their thematic critiques of the immense dangers of modern materialism; and their hopeful conceptions of human potential. She concludes with excerpts from the wide-ranging interview in which Lynch discussed his vision with her, as well as an interview with Columbia University physicist David Albert, who was one of Nochimson?s principal tutors in the discipline of quantum physics. 606 $aMotion picture producers and directors$zUnited States$vBiography 615 0$aMotion picture producers and directors 676 $a791.4302/3092 686 $aAP 51223$qBSZ$2rvk 700 $aNochimson$b Martha$01532253 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910788315703321 996 $aDavid Lynch swerves$93778345 997 $aUNINA