LEADER 01906nam 2200337 n 450 001 996388939503316 005 20221108051901.0 035 $a(CKB)1000000000644703 035 $a(EEBO)2240948981 035 $a(UnM)99873476 035 $a(EXLCZ)991000000000644703 100 $a19850910d1642 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 13$aAn armie for Ireland, conducted by the Lord Lithe [Lisle], son to the right honourable, the Earle of Licester, Lord Deputy of Ireland$b[electronic resource] $eBeing a vote of both houses in Parliament for the sending of speedy ayd into Ireland, consisting both of the Scottish and English army, speaking of the great feare that the city of Dublin hath been in, and in what danger to be taken sundry times, but now most valiantly defended by the Scottish volunteers, and the English army. With an excellent copy of a letter sent from the Lord Moore to Sir William Barker in England, speaking of all the greevances and miseries of the Protestants whatsoever, as also of all the bloudy designes that the rebels intended to take the castle 210 $aLondon $cPrinted for John Greensmith$d1642 215 $a[8] p 300 $aBy Philip Sidney, Earl of Leicester. Cf. Accessing Early English books, 1641-1700. 300 $aReproduction of the original in the British Library. 330 $aeebo-0018 607 $aIreland$xHistory$yRebellion of 1641$vEarly works to 1800 700 $aLeicester$b Philip Sidney$cEarl of,$f1619-1698.$01005672 701 $aMoore of Drogheda$b Charles Moore$cViscount,$f1603-1643.$01005673 801 0$bCu-RivES 801 1$bCu-RivES 801 2$bCStRLIN 801 2$bWaOLN 906 $aBOOK 912 $a996388939503316 996 $aAn armie for Ireland, conducted by the Lord Lithe , son to the right honourable, the Earle of Licester, Lord Deputy of Ireland$92312681 997 $aUNISA LEADER 03893nam 22006371 450 001 9910788314703321 005 20231206203605.0 010 $a0-292-75290-3 010 $a0-292-75291-1 024 7 $a10.7560/752894 035 $a(CKB)3170000000060215 035 $a(EBL)3443698 035 $a(SSID)ssj0000999892 035 $a(PQKBManifestationID)11522538 035 $a(PQKBTitleCode)TC0000999892 035 $a(PQKBWorkID)10942798 035 $a(PQKB)10257168 035 $a(OCoLC)859154931 035 $a(MdBmJHUP)muse25098 035 $a(Au-PeEL)EBL3443698 035 $a(CaPaEBR)ebr10768931 035 $a(OCoLC)899045092 035 $a(Au-PeEL)EBL7171748 035 $a(DE-B1597)587865 035 $a(OCoLC)1280944953 035 $a(DE-B1597)9780292752917 035 $a(MiAaPQ)EBC3443698 035 $a(MiAaPQ)EBC7171748 035 $a(EXLCZ)993170000000060215 100 $a20130416h20132013 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aBlossoms and blood $epostmodern media culture and the films of Paul Thomas Anderson /$fJason Sperb 210 1$aAustin :$cUniversity of Texas Press,$d[2013] 210 4$dİ2013 215 $a1 online resource (297 p.) 300 $aDescription based upon print version of record. 311 $a0-292-75289-X 320 $aIncludes bibliographical references and index. 327 $aMachine generated contents note: Acknowledgments -- Introduction. White-Noise Media Culture and the Films of Paul Thomas Anderson -- Chapter 1. I Remembered Your Face: Indie Cinema, Neo-noir, and -- Narrative Ambiguity in Hard Eight (1996) -- Chapter 2. I Dreamed I Was in a Hollywood Movie: Stars, Hyperreal Sounds of the 1970s, and Cinephiliac Pastiche in Boogie Nights (1997) -- Chapter 3. If That Was in a Movie, I Wouldn't Believe It: Melodramatic Ambivalence, Hypermasculinity, and the Autobiographical Impulse in Magnolia (1999) -- Chapter 4. The Art-House Adam Sandler Movie: Commodity Culture and the Ethereal Ephemerality of Punch-Drunk Love (2002) -- Chapter 5. I Have a Competition in Me: Political Allegory, Artistic Collaboration, and Narratives of Perfection in There Will Be Blood (2007) -- Afterword. On The Master -- Notes -- Select Bibliography -- Index. 330 $aFrom his film festival debut Hard Eight to ambitious studio epics Boogie Nights, Magnolia, and There Will Be Blood, Paul Thomas Anderson?s unique cinematic vision focuses on postmodern excess and media culture. In Blossoms and Blood, Jason Sperb studies the filmmaker?s evolving aesthetic and its historical context to argue that Anderson?s films create new, often ambivalent, narratives of American identity in a media-saturated world. Blossoms and Blood explores Anderson?s films in relation to the aesthetic and economic shifts within the film industry and to America?s changing social and political sensibilities since the mid-1990s. Sperb provides an auteur study with important implications for film history, media studies, cultural studies, and gender studies. He charts major themes in Anderson?s work, such as stardom, self-reflexivity, and masculinity and shows how they are indicative of trends in late twentieth-century American culture. One of the first books to focus on Anderson?s work, Blossoms and Blood reveals the development of an under-studied filmmaker attuned to the contradictions of a postmodern media culture. 606 $aMotion picture producers and directors 615 0$aMotion picture producers and directors. 676 $a791.4302/33092 686 $aPER004030$2bisacsh 700 $aSperb$b Jason$f1978-$01494562 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910788314703321 996 $aBlossoms and blood$93778335 997 $aUNINA